A dynamic critique on the sprawling effects of racism and its effects on today’s youth.
An artful book-length essay on generational trauma in Black youth.
Weaving together prose, poetry, and artwork, prizewinning educator, poet, and cultural advocate Alexander, who recited a poem at Barack Obama’s first inauguration ceremony, depicts in sharp relief the realities of living as a Black youth in today’s America. In this short yet poignant book, the author notes the ways in which Black people have always been marginalized, but she looks specifically at the difficult experiences of those who have come of age in the past 25 years. Citing such problems as depression in youth, the effects of the Covid-19 pandemic, and how police brutality has become more apparent in the age of social media, Alexander paints a vivid portrait of a societal landscape that is fundamentally different depending on race, class, and other demographic markers. While recounting her personal story—including her 15 years as a professor at Yale, which, like many older colleges, has a problematic history with the slave trade—the author roots the text in history, looking at the legacies of enslavement and Confederacy movements and touching on key figures such as W.E.B. Du Bois, Martin Luther King Jr., and Zora Neale Hurston. The text is punctuated with gripping pieces of art that complement the text. Each piece is compelling in its own right as they entwine with the representation of human experience that Alexander demonstrates for readers. In one of the most significant sections, the author references a letter to Du Bois in which a scholar asked him “whether the negro sheds tears,” and “if so, under what general conditions—anger, fear, shame, pain, sorrow, etc.” At its core, this is a powerful treatise on the humanity of Black Americans and how it has been denied, how generations of people have persisted despite that fact, and how it continues to be one of the most pressing issues we face as a nation.
A dynamic critique on the sprawling effects of racism and its effects on today’s youth.Pub Date: April 5, 2022
ISBN: 978-1-5387-3789-7
Page Count: 160
Publisher: Grand Central Publishing
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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