A delicate, existentially elegiac memoir.

THE LIGHT OF THE WORLD

A MEMOIR

A distinguished poet meditates on the early death of her beloved artist husband.

A Brooklyn psychic once told Alexander (Literature and Culture/Yale Univ.; Praise Song for the Day, 2009, etc.) that she would meet a mate sooner than she realized. What the psychic did not say was that Eritrean-born Ficre Ghebreyesus would bring her a love and fulfillment that transcended anything she had ever known. Though hailing from different worlds—Alexander from Harlem and Ficre from East Africa—the two blended their lives to create a kind of trans-Atlantic “karmic balance.” Alexander firmly grounded the husband who had seen war and poverty in his nation, and Ficre gave his American wife an abundance of family while connecting her to a history of black warriors who had never known slavery. Together, they built and inhabited an extraordinarily colorful, multicultural space made of books, art, food and friends. But then, 15 years into their marriage and just four days after his 50th birthday, an outwardly robust Ficre died of a heart attack. Now a widow with two teenage sons, Alexander began the lengthy, often wrenching process of mourning the man who had been the “light of [her] world.” With tenderness and fierce poetic precision, Alexander recalls the hours, days, months and years after her husband’s death. Grief-stricken to the point she could not produce the poetry she loved, the author marked the passage of time by observing whether she or her children still cried over his passing. At the same time, she celebrates how the love she and Ficre shared helped heal “every old wound with magic disappearing powers” so that the descendant of slaves and the survivor of a tragic war could go on with their lives. In letting go of—but never forgetting—her husband, Alexander realizes a simple truth: that death only deepens the richness of a life journey that must push on into the future.

A delicate, existentially elegiac memoir.

Pub Date: April 14, 2015

ISBN: 978-1-4555-9987-5

Page Count: 224

Publisher: Grand Central Publishing

Review Posted Online: Dec. 17, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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