Light historical romance with the benefit of a sterling pedigree.
For Jane Austen lovers, this latest take on the Darcy clan offers an amusing addition to the literature of Regency London’s mores.
Aston’s previous Darcy novels (The Exploits and Adventures of Miss Alathea Darcy, not reviewed, etc.) concern the former Miss Bennett and Mr. Darcy’s five daughters—this story takes on the exploits of a few cousins. At 19, Cassandra Darcy is in possession of rare beauty, a fine fortune and a very un-ladylike talent for painting. And though she has all she could ask for, she is under the thumb of her pious stepfather, Mr. Partington. Cassandra’s future is thrown into doubt, though, when Henry Lisser, a German landscape painter brought in to paint the family estate, begins a flirtation with naughty cousin Belle. Everyone believes it was Cassandra kissing Lisser behind the bushes, and to save Belle’s already shaky reputation, Cassandra agrees to go to Bath to reflect on her wickedness. While there, she falls in love with James Eyre, and the two run away to London. But when James halts the marriage plans to negotiate a rich dowry (and too late, passionate Cassandra has already slept with him!), she spurns James, and in turn becomes a social pariah. Enter dashing cousin Horatio Darcy, a lawyer representing her stepfather, to offer Cassandra two choices: Repair to the country and live a life of spinsterhood with the vile Mrs. Harris, or become destitute. Cassandra chooses to make her way in London as a portraitist, but during her first day of freedom makes a monumental error in judgment—she takes rooms with a procuress who intends to turn Cassandra into Lord Usborne’s mistress. Cassandra escapes life in the demimonde with the help of her cousin Camilla, who, with the help of kind Mr. Lisser, sets Cassandra up with her own painting studio. Austenites may balk at this racy, wholly 21st-century reinvention of Austen (Lord Frederick has an eye for men, our teen heroine is no virgin and Aston’s feminist motifs are a bit heavy handed), but all in all, much enjoyment can be had from Cassandra’s attempts to find love and artistic happiness.
Light historical romance with the benefit of a sterling pedigree.Pub Date: March 7, 2006
ISBN: 0-7432-7490-3
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
BOOK REVIEW
Although this novel’s reach exceeds its grasp, it is a necessary book.
On an island off the South Korean coast, an ancient guild of women divers reckons with the depredations of modernity from 1938 to 2008 in See's (The Tea Girl of Hummingbird Lane, 2017, etc.) latest novel.
The women divers of Jeju Island, known as haenyeo, don't display the usual female subservience. Empowered by the income they derive from their diving, harvesting seafood to consume and sell, haenyeo are heads of households; their husbands mind the children and do menial chores. Young-sook, See’s first-person narrator and protagonist, tells of her family and her ill-fated friendship with Mi-ja, who, rescued from neglectful relatives by Sun-sil, Young-sook’s mother, is initiated into the diving collective headed by Sun-sil. The girls grow up together, dive together, and go on lucrative assignments in the freezing waters near Vladivostok, Russia. They are also married off together, Mi-ja to Sang-mun, who, as World War II progresses, is enriched by collaborating with the Japanese, and Young-sook to Jun-bu, a neighbor and childhood playmate. The novel’s first half is anecdotal and a little tedious as the minutiae of the haenyeo craft are explored: free diving, pre-wetsuit diving garb, and sumbisori, the art of held breath. As two tragedies prove, the most prized catches are the riskiest: octopus and abalone. See did extensive research with primary sources to detail not only the haenyeo traditions, but the mass murders on Jeju beginning in 1948, which were covered up for decades by the South Korean government. As Jeju villages are decimated, Young-sook loses half her family and also, due to a terrible betrayal, her friendship with Mi-ja. The tangled web of politics and tyranny, not to mention the inaction of U.N. and American occupiers leading up to the massacres, deserves its own work, perhaps nonfiction. In the context of such horrors, the novel’s main source of suspense, whether Young-sook can forgive Mi-ja, seems beside the point.
Although this novel’s reach exceeds its grasp, it is a necessary book.Pub Date: March 19, 2019
ISBN: 978-1-5011-5485-0
Page Count: 384
Publisher: Scribner
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A round-Robbins on the themes of scent, so-called "floral consciousness," and immortality—skipping through time and space, but offering a little old-fashioned storytelling charm along with the usual cute/hip doodling. In one of the two parallel plot-lines here, Robbins juggles the separate attempts of various parfumiers around the world to come up with a perfume (upon a jasmine base) that will outenchant any previous concoction: Madame Devalier in New Orleans is feverishly experimenting; so is her adopted daughter Priscilla in Seattle; and the megs-company LeFever is also hard at work in Paris. Meanwhile, in the other main plot, we follow King Alobar—a Dark Ages hero—through his global wanderings: he eventually reaches India, meeting a widow named Kudra; both of them are in flight from Death; and both eventually, through the direct intervention of the decrepit god Pan, actually achieve immortality—even learning how to capture the immortality-essence in bottled-liquid form. So ultimately, of course, these two plot-strands will link up—as Alobar time-travels up to the present, providing the evolutionary missing-link to "floral consciousness". . . and teaming up with a Timothy Learylike outlaw scientist, Dr. Wiggs Dannyboy, who adds a bit of new-age theory to Robbins' usual flower-power rhetoric. ("Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.") As in all of Robbins' novels, there is much that's juvenile and insufferable here: terminally cute asides and many, many groaners—e.g., "a populace that was beginning to put Descartes before des horse." Still, the mundane/exotic enterprise of making perfume offers a rich basis for Robbins' half-credible, half-cartoonish explorations. And, thanks to its lively sweep through time and geography, this may be his most agreeable book ever: relaxed, readably sequential, goofily lyrical—with some feather-weight appeal for non-fans as well as the usual Robbins readership.
Pub Date: Dec. 1, 1984
ISBN: 0553348981
Page Count: 356
Publisher: Bantam
Review Posted Online: April 9, 2012
Kirkus Reviews Issue: Nov. 15, 1984
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