George’s fans will be glad to see Havers back in action, even though, as ever, she’s quick to land in trouble. And as for...
Inspector Lynley returns for a bout of trans-European hijinks—his first adventure outside Old Blighty.
Though an American herself, it’s taken George time to build a domestic audience for her long-running Lynley series, adapted for British television and then repatriated as an occasional Masterpiece Mystery offering. George’s hero is a nod to Dorothy Sayers, though Lynley, a discomfited lord working among the peasants of Scotland Yard, lacks most of Peter Wimsey’s affectations. For the first time in many volumes, George again pairs Lynley with tough-talking northerner Barbara Havers, who’s not always scrupulous about the letter of the law; as she tells one investigator, “I don’t care if you break laws or not....Spy on anyone you need to spy on. Go through their rubbish. Hack into their mobiles and their Internet accounts. Take over their email.” Rupert Murdoch would be proud, but Havers has a fraught mission: The daughter of a friend has been kidnapped in Italy, where her mother, estranged from that friend, has taken the child. Said friend, a Pakistani microbiologist, may not be entirely innocent—and in all events, it seems, shadowy parties want daughter and mother. Though the book is too long by a couple of hundred pages, George is a master of the wily plot and the timely tossed out red herring. She’s also not bad at the icky but effective detail: “Maggots still writhed in the man’s eyes, nose, and mouth; beetles had been feasting on his skin; mites and millipedes scurried into the open neck of his linen shirt.” Yet the book goes on long enough that some of the dramatic force is blunted; it could have benefited from some economizing. Too, George falls victim to the local-color gambit, insisting that ordinary terms be put into the other language: A cellphone is a cellphone is a cellphone, so calling it a telefonino to emphasize the fact that we’re in Italy is more than a touch precious.
George’s fans will be glad to see Havers back in action, even though, as ever, she’s quick to land in trouble. And as for Lynley—well, he’s as cool as ever, in more than one sense of the word.Pub Date: Oct. 15, 2013
ISBN: 978-0-525-95296-1
Page Count: 736
Publisher: Dutton
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for readers who wish To Kill a Mockingbird had been presented from a slightly older, male point of view.
Eskens’ latest novel is a warmhearted story of a white teenager's awakening to the racial tensions that run through his Missouri town in 1976.
Years before he’ll become a successful attorney (The Shadows We Hide, 2018, etc.), Boady Sanden struggles to navigate all the usual high school ordeals in small-town Jessup, including boring subjects and bullying by the likes of all-state wrestler and prom king Jarvis Halcomb. In Boady’s case, these everyday problems are aggravated by his outsider status as a non-Catholic freshman at St. Ignatius High School, his home life with his widowed, introverted mother, Emma, and, most recently, the arrival of some new neighbors, the Elgins. Charles Elgin is definitely an improvement on indolent Cecil Halcomb, Jarvis' father, whom he replaces as manager of the local manufacturing plant after bookkeeper Lida Poe disappears with more than $100,000 of the plant’s money. Jenna Elgin is excellent company for Emma Sanden, whom she helps draw out of her shell. And after a comically unfortunate first encounter, Boady quickly takes to their son, Thomas, who’s exactly his age. But the Elgins, like Lida Poe, are African American, and the combination of an unsolved embezzlement, good old boy Cecil’s displacement by an outsider, and the town’s incipient racism works slowly but inexorably to put Boady, recruited by the Crusaders of Racial Purity and Strength, under pressure to betray his new friendship. Declining to join the racists but repeatedly running away rather than refusing their demands point blank, Boady must navigate a perilous route to supporting his community and claiming his own adult identity.
Perfect for readers who wish To Kill a Mockingbird had been presented from a slightly older, male point of view.Pub Date: Nov. 12, 2019
ISBN: 978-0-316-50972-5
Page Count: 304
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.
A holiday tradition turns lethal in small-town Maine.
The residents of Tinker’s Cove have always dressed their toddlers in their Sunday best for the annual Easter egg hunt at Vivian Van Vorst’s beautiful mansion. But this year, Pine Point is looking a bit seedy. The lawn is unkempt, no one is directing traffic, and VV is nowhere to be seen. Worst of all, her grandson, Van Vorst Duff, dressed in a bunny suit, drops dead at the gates of the estate before he can hide a single egg. Lucy Stone (Chocolate Covered Murder, 2011, etc.), ace reporter for the Tinker’s Cove Pennysaver, takes time off from covering the town council meeting to help her colleague Phyllis’ niece Elfrida cater Van’s funeral—giving her plenty of opportunity to snoop. She discovers that VV is being confined to her room and fed nothing but canned nutritional supplement while her granddaughter Vicky Allen and Vicky’s husband, Henry, aided by unscrupulous lawyer George Weatherby, sell off her priceless art treasures. When the Allens give VV’s faithful butler Willis the sack, they have a fight on their hands. Thanks to local attorney Bob Goodman, the trio is brought to trial on charges of elder abuse. Reporters from all over the country choke the streets of Gilead, the county seat. Famous defense attorney Howard Zuzick, representing the Allens, looks as if he might have some tricks up his sleeve. But surprise! Meier drops that plot and instead packs Lucy off on a mission to hunt down VV’s long-lost daughter for former librarian Miss Julia Tilley.
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.Pub Date: Jan. 29, 2013
ISBN: 978-0-7582-2935-9
Page Count: 304
Publisher: Kensington
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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