by Elizabeth Greenwood ‧ RELEASE DATE: July 13, 2021
An empathetic and well-characterized book that will add complexity to debates about mass incarceration.
Compassionate inquiry into the hidden phenomena of prison relationships, particularly the “MWI” (Met While Incarcerated) demographic.
Greenwood was inspired by her own correspondence with a jailed white-collar criminal she met researching her first book, Playing Dead: “Could you find love and vivacity in the ugliest of places? And what are the prisons we erect for ourselves?” She frames these inquiries against the grim reality of this country’s incarceration rate (the highest in the world) and its disproportionate effect on poorer individuals and communities of color. At the same time, the author observes that MWI “prison wives” are often middle-class Whites who are drawn to church service groups or prisoner pen-pal websites, a phenomenon that serves as an example of the complex social realities uncovered here. Greenwood opens with the marriage of ex-soldier Jo to Benny, an affable recidivist with a disturbing background of domestic violence, and alternates between the arc of their tumultuous, ultimately successful union and those of several other couples. These include a retired Canadian diplomat who wed and then split from an American woman convicted of murder, a trans woman and a bisexual African American man serving time in the same institution, and a couple who stayed together following the prisoner’s wrongful conviction being overturned, who “still came home with all the trauma of anyone who has spent almost half his life in prison.” The resilience of MWI spouses is personified throughout by Jo, who observes, “I don’t have any problem waiting for him to come home from prison. Because he’s my husband.” Greenwood makes good use of interviews with prisoners, academics, and others, and the writing is observant, humorous, and even sensuous, as when the author and Jo attend a conference for prisoners’ families and hear frank talk about the realities of frustration and conjugal visits. “For once, they are in a place where people understand,” writes the author. “They needn’t pretend or defend.”
An empathetic and well-characterized book that will add complexity to debates about mass incarceration.Pub Date: July 13, 2021
ISBN: 978-1-5011-5841-4
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 11, 2021
Kirkus Reviews Issue: June 1, 2021
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by Jill Lepore ‧ RELEASE DATE: Aug. 25, 2026
A deeply learned dive into the frightening visions of technocrats past and present.
The noted historian and New Yorker staffer looks into a future ruled by machines.
Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”
A deeply learned dive into the frightening visions of technocrats past and present.Pub Date: Aug. 25, 2026
ISBN: 9781324098423
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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