An elegant glimpse into the evolution of love and womanhood.
Church’s debut novel explores the relationship between sacrifice and love.
Set during World War II and the decades leading up to the Vietnam War, the novel follows Meridian Wallace as she transforms from a bright ornithologist-to-be studying at the University of Chicago into an unhappy housewife. While in college she meets Alden Whetstone, a brilliant physics professor who joins the team of scientists at Los Alamos, New Mexico, to work on a top-secret wartime project. The bookish Meridian falls in love fast with Alden’s intense intellect, and the two are married in 1944, at the end of Meridian's junior year. Once she graduates and moves to New Mexico, however, Meridian becomes disenchanted with married life; it isn’t the passionate endeavor she had in mind, and soon she’s off the path to getting her Ph.D. Years later, she falls in love again, this time with a young Vietnam veteran, and is forced to evaluate the choices she’s made up to that point. The story, though spanning several decades, never loses momentum. The writing is descriptive and clean. Church’s commentary on the American nuclear family, particularly the expectations placed on women, showcases iterations ranging from doting housewives and mothers who are content in their roles to the rebellious. Each sentence drives the plot further, exploring love’s limits and its spoils. But it’s Church’s exploration of Meridian’s role in her relationships that is the most gracefully executed feat of the novel. Even while describing Meridian’s disappointment in her marriage, Church’s writing is never overly sentimental. Meridian's voice is poignant, a mixture of poetry and observation: “I cannot escape the beating of my 87-year-old heart, the constancy of it, the weariness of it,” Meridian says in the prologue. “I cannot say with scientific certainty how many times over these many decades…it catapulted with love or capitulated in grief.”
An elegant glimpse into the evolution of love and womanhood.Pub Date: May 3, 2016
ISBN: 978-1-61620-484-6
Page Count: 320
Publisher: Algonquin
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting...
A workaholic, socially inept Indian-American brain surgeon is caught off guard by her attraction to a Rwandan/Anglo-Indian chef in this rewrite of Pride and Prejudice.
Trisha Raje is a princess whose family prides itself on its aristocratic Indian roots as well as its integration into American life. The Rajes are preparing for their scion’s gubernatorial campaign in the Bay Area when Trisha rejoins them after a period of estrangement (caused by her former college roommate). She and chef Darcy "DJ" Caine meet at a political event and sparks fly, but for all the wrong reasons. While the two try to smooth things over, subsequent encounters exacerbate their hostility and class divide. Yet, as any Austen fan knows, the fallout of their pride and biases will eventually be resolved. Dev (A Distant Heart, 2017, etc.) credibly reworks a beloved novel to include diverse representation, and her use of dual points of view reveals the internal lives of both protagonists. DJ’s love for Indian cooking is also an interesting flip of a more traditional script. But Dev creates equivalents to Regency England partly through a discomfiting choice to valorize Trisha’s royal Indian genes—not only does she descend from ancestors who fought the medieval Islamic Mughal rulers and the British Empire and joined the Indian freedom struggle, her relatives are good royals who practice noblesse oblige (including on visits to Africa) and nurture a household (including a member who is differently abled) and have an upper-class sense of art and music. This complimentary take on the one percent is common in the genre, but what is problematic here is that romanticizing a royal identity normalizes the caste hierarchy still practiced (albeit illegally) in South Asian society, including in the contemporary diaspora. So while this is undoubtedly a charming attempt to weave in Indian history and Maharashtrian culture (and address #MeToo), the novel is limited to a lovely but upper-class Hindu family’s tribulations and triumphs, reiterating a tendency among Indian cultural producers to limit happily-ever-afters to this group.
The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting characters whose histories and dramas play out alongside the love story.Pub Date: May 7, 2019
ISBN: 978-0-06-283905-3
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Does little to illuminate a familiar conflict.
In this latest from the pseudonymous Italian Ferrante (Troubling Love, 2006, etc.), a middle-aged woman spends her summer vacation meditating about motherhood.
Leda was born and raised in Naples, but she didn’t feel happy until she escaped at 18 to study in Florence. For her, Florence is a symbol of culture and refinement, while Naples is loud and crude. Now 47, Leda is a university teacher in Florence, long separated from her husband Gianni, another academic, who emigrated to Toronto; her grown daughters, Bianca and Marta, recently joined him, but they stay in close phone contact with their mother. Leda’s summer rental is near the sea in an unspecified town. On the beach she observes an attractive threesome: A young mother (Nina), her small daughter (Elena) and the girl’s doll, with which the pair play. They are part of a larger group of Neapolitans who are sprawled out on the beach. When Elena disappears, Leda finds her and returns her to her grateful mother, but then steals her doll. What’s the reason for this “opaque action”? Does she want to forge a connection to the family, or tap into her own childhood memories? It’s a puzzle; not an interesting one, but there it sits, an indigestible lump. Far more interesting is Leda’s confession, to these total strangers, that she once abandoned her daughters for three years, leaving them with her overworked husband. What triggered her departure was a London academic conference where she was lionized by a professor, who would become her lover, and felt an intoxicating sense of self. Eventually she realized being a mother was her most significant fulfillment. Freedom versus responsibility: This tension underlies Leda’s behavior and ambivalence toward her daughters, which continues to the present. The young mother Nina is Leda’s sounding-board, but Ferrante fails to integrate Leda’s soul-searching with the problems of the fractious Neapolitan family on the beach.
Does little to illuminate a familiar conflict.Pub Date: April 1, 2008
ISBN: 978-1-933372-42-6
Page Count: 160
Publisher: Europa Editions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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