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THE EMMA PROJECT

The warmth of steady family ties complements the heat of intense sexual chemistry.

Two lifelong friends learn to see each other in a new light when forced to pursue a common goal.

Once betrothed to Yash Raje, heir apparent of the aristocratic Indian American Raje family, and beloved by his sprawling clan, Naina Kohli has become persona non grata since she and Yash split up, acknowledging that the engagement had been a convenient sham. So when she finds out that the benefactor of her microfinance foundation wants her to work with Vansh Raje, Yash’s youngest sibling, Naina is distraught: Not only does this development make it impossible for her to put some much-needed distance between herself and the Rajes, but it also forces her to hitch her wagon to the pampered prince who has, to her knowledge, never demonstrated a capacity for dedication or commitment. In his mid-20s, Vansh is relentlessly charming; coasting along easily on the strength of his looks and wealth, he has traveled the world working on do-gooder projects. He is extremely earnest about his latest and cares enough about Naina to be frustrated that she often underestimates his sincerity. But when circumstances force them to acknowledge each other’s best qualities and become freshly aware of their own flaws, sparks begin to fly. Naina must now decide if she wants a real relationship with a different Raje brother altogether. The fourth and final installment in Dev’s series of Jane Austen adaptations brims with humor, wit, and pathos. Naina, originally christened Knightlina, is modeled on Emma’s steadfast Mr. Knightley, while Vansh shares Emma’s compassion and tendency to make unfortunate errors in judgment. Dev’s attention to detail—from descriptions of Naina’s Bollywood-inspired attire to her mother’s turns of phrase as she negotiates with English—brings every character to life and inspires instant empathy. While descriptions of the Rajes’ family dynamics are consistently entertaining, their eventual change of heart toward Naina feels somewhat abrupt.

The warmth of steady family ties complements the heat of intense sexual chemistry.

Pub Date: May 17, 2022

ISBN: 978-0-06-305184-3

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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