Plenty of punch in a short space.
In this entry in The Gift series featuring a group of African-American teens, Rashawn is granted a paranormal ability that enables him to detect affection.
Rashawn despairs that he can never tell when girls really like him. He chooses to have his left ear grow warm whenever he is around someone who truly likes someone else. He’s embarrassed to learn that his ear grows toasty when he’s around his parents, who remain crazy about each other. He realizes that he will have to get any prospective girlfriends alone in order to be able to tell if the girl really likes just him instead of anyone in the vicinity. He joins a cooking class at the local teen center and meets a cute girl named Kennedy, but his ear stays cold. Meanwhile, he can’t figure out why his ear burns whenever he’s around his friend Terrell. Can Rashawn get that ear burning when he’s alone with Kennedy? Karre cleverly uses an intrusive narrator to lead readers to make inferences and keep the pages turning: “You know who Kennedy’s dad is. Oh yes, you do.” She doesn’t shy from weighty issues, tackling racial profiling (or “driving while black”) from both the driver’s and law enforcement’s side. The ultraslim book has the chance to appeal to an audience that may be reluctant to try a longer book.
Plenty of punch in a short space. (Paranormal romance. 12-18)Pub Date: Nov. 1, 2014
ISBN: 978-1-4677-3511-7
Page Count: 112
Publisher: Darby Creek
Review Posted Online: Oct. 5, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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