Much is made in these pages about the power of make-believe, and while the book falls short of magical, it’s still an...
The story behind the story that became the legendary movie The Wizard of Oz.
Letts (The Perfect Horse, 2016, etc.) builds her historical novel around Maud Gage Baum, the high-spirited wife of L. Frank Baum, who wrote the original Wizard of Oz books. In one of two intercut narratives, the 77-year-old Maud, who’d exerted a strong influence on her late husband, appears on the set of the movie in 1938; there, she encounters 16-year-old Judy Garland—cast as Dorothy—among others. The second narrative opens in Fayetteville, New York, in 1871 and traces Maud’s life from age 10: her girlhood as the daughter of an ardent suffragette; her brief time at Cornell University—she was one of the first women admitted there; her early marriage to Baum, an actor at the time; and the births of their four sons. Frank, a dreamer, was not so talented at making money, and the family endured a hardscrabble, peripatetic life until he scored as a writer. This part of the story is dramatic and sometimes-poignant, though it goes on a bit. (Read carefully, and you can spot some elements that made their ways into the books and movie.) The Hollywood part is more entertaining even if some of it feels implausible. Maud did meet Judy Garland and attend the premiere of the film in real life. But in the book she tries to protect and nurture Garland, who was at the mercy of her abusive stage mother and the filmmakers and was apparently fed amphetamines to keep her weight down. And while it’s true the movie’s best-loved song, “Somewhere over the Rainbow,” was almost cut at the last minute, the book has Maud persuading studio chief L.B. Mayer to keep it in.
Much is made in these pages about the power of make-believe, and while the book falls short of magical, it’s still an absorbing read.Pub Date: Feb. 12, 2019
ISBN: 978-0-525-62210-9
Page Count: 368
Publisher: Ballantine
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
A fine and touching novel, persuasive proof of Tóibín’s ever-increasing skills and range.
This plaintive sixth novel from the Booker-nominated Irish author (Mothers and Sons, 2008, etc.) is both akin to his earlier fiction and a somewhat surprising hybrid.
Tóibín’s treatment of the early adulthood of Eilis Lacey, a quiet girl from the town of Enniscorthy who accepts a kindly priest’s sponsorship to work and live in America, is characterized by a scrupulously precise domestic realism reminiscent of the sentimental bestsellers of Fannie Hurst, Edna Ferber and Betty Smith (in her beloved A Tree Grows in Brooklyn). But as Eilis both falters and matures abroad, something more interesting takes shape. Tóibín fashions a compelling characterization of a woman caught between two worlds, unsure almost until the novel’s final page where her obligations and affections truly reside. Several deft episodes and set pieces bring Eilis to convincing life: her timid acts of submission, while still living at home, to her extroverted, vibrant older sister Rose; the ordeal of third-class passenger status aboard ship (surely seasickness has never been presented more graphically); her second-class status among postwar Brooklyn’s roiling motley populace, and at the women’s boarding house where she’s virtually a non-person; and the exuberant liberation sparked by her romance with handsome plumber Tony Fiorello, whose colorful family contrasts brashly with Eilis’s own dour and scattered one. Tóibín is adept at suggestive understatement, best displayed in lucid portrayals of cultural interaction and conflict in a fledgling America still defining itself; and notably in a beautiful account of Eilis’s first sexual experience with Tony (whom she’ll soon wed), revealed as the act of a girl who knows she must fully become a woman in order to shoulder the burdens descending on her. And descend they do, as a grievous family loss reshapes Eilis’s future (literally) again and again.
A fine and touching novel, persuasive proof of Tóibín’s ever-increasing skills and range.Pub Date: May 1, 2009
ISBN: 978-1-4391-3831-1
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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