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LET ME FIX YOU A PLATE

A TALE OF TWO KITCHENS

A storytelling feast for the whole family, no matter where you live.

A feast for the eyes prepared in kitchens brimming with familial love.

Three children with light-brown skin and dark brown hair join their parents (Mommy resembles the kids; Daddy’s White) on a family vacation. They drive first to West Virginia mountains filled with misty morning fog, Papaw’s coffee with cream but no sugar, and Mamaw’s vanilla wafer cookies. A few days later, they proceed to a little orange house in Florida with Spanish-speaking Abuela and Abuelo and naranjas to pick. Each set of grandparents greets the family with open arms, a welcoming kitchen, and familiar, comforting interactions that demonstrate a persistent closeness despite miles and time apart. Though the visits are short, the experiences are deep and continue to resonate throughout the long drive home. The journey is told on multiple levels across pictures and text that entice readers, like the mouthwatering portrayals of home-cooked meals prepared and served by two extended families and two cultures. Lilly’s loose yet warm illustration style, awash in a rainbow of colors and textures, captures the love in these families. A third, hybrid kitchen is revealed at home, when the family returns and mixes the journey’s experiences into a big plate of waffles to be gobbled up before bed. Various important family items are portrayed and labeled throughout the book to encourage readers to go back and find them in the story.

A storytelling feast for the whole family, no matter where you live. (Picture book. 4-7)

Pub Date: Sept. 7, 2021

ISBN: 978-0-8234-4325-3

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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