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DEATH ECHO

The predictable romance decreases the suspense in this low-wattage thriller.

An international espionage crisis mixes with lighthearted romance on the high seas. 

Former CIA operative Emma Cross works for St. Kilda’s Consulting, a private-investigating company run by Joe Faroe and his wife Grace, both familiar to Lowell fans from The Wrong Hostage (2006) and now proud parents of a baby who distracts them during every phone call and meeting. St. Kilda’s has been looking for stolen yachts but the stakes skyrocket with word that a boat named the Blackbird is arriving at a small port on Elliott Bay near Seattle loaded with ammunition—whether biological, chemical or fissionable—to destroy a large American city within the next seven days. St. Kilda’s is enlisted to help stop the perpetrators of the urban devastation before it happens. When the boat arrives, Emma keeps an eye on Mac Durand, who was hired to captain the Blackbird as far as Elliott Bay by a local shady transporting company with links to a Russian breakaway state. Mac used to be a member of Special Ops until a CIA screw-up caused the death of most of his unit; like everyone else in this book, he now distrusts government. Then his oldest friend, who was scheduled to sail the Blackbird north to Canada, dies under mysterious circumstances, and Mac agrees to work for St. Kilda’s. Posing as lovers, hunky Mac and gorgeous Emma sail the Blackbird together into Canadian waters hoping to flush out the Eastern European politico-criminal elements behind the plot. Lowell’s short chapters, each headed with date, time and location, bring to mind TV’s 24, but despite the looming seven day deadline, there’s little real sense of urgency. Though refreshingly cynical, the complicated political machinations remain underdeveloped. Lowell’s main focus, beside an appreciation for high-end boating, is the sexual heat building between Mac and Emma, who banter on unperturbed that time is running out before Seattle blows.  

The predictable romance decreases the suspense in this low-wattage thriller.

Pub Date: June 8, 2010

ISBN: 978-0-06-162975-4

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: May 1, 2010

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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