by Elizabeth MacLeod ; illustrated by Sydney Smith ‧ RELEASE DATE: Oct. 4, 2016
Both revelatory and entertaining, though not without its gaps.
In anticipation of Canada’s 2017 sesquicentennial, a breezy year-by-year survey of its history.
MacLeod takes a consciously multicultural approach, highlighting both highlights and lowlights. The first game of indoor hockey (1875) is celebrated, as is the discovery of gold in the Yukon (1896) and the birth of the Dionne Quints (1934). Likewise, Treaty No. 7, the 1877 appropriation of much of what is now Alberta, and discrimination against the Chinese, 8,000 of whom arrived in 1882 to help build the railways, are duly noted. When Canada’s history intersects with world history, the book leaves North America, as in the span from 1914 to 1918, which also includes a profile of “In Flanders Fields” poet John McCrae, a sidebar on trench life, and the invention of the gas mask (by Newfoundlander Cluny Macpherson in 1915). Though the format is limiting, it’s a surprisingly effective tour that gets at both parochial Canadian culture (“1955: Fans riot over Maurice Richard”) and its too often overlooked impact on international affairs, as with Lester B. Pearson’s part in resolving the Suez crisis. Still, for all MacLeod’s admirable attention to Canada’s problematic history with First Nations peoples and minorities, it doesn’t get at the constant Anglophone-Francophone tension that has defined Canada from its inception, largely sidestepping it until the 1968 emergence of the Parti Québecois. Smith’s brushy vignettes include both people of color and white figures as appropriate.
Both revelatory and entertaining, though not without its gaps. (index) (Nonfiction. 8-12)Pub Date: Oct. 4, 2016
ISBN: 978-1-77138-397-4
Page Count: 96
Publisher: Kids Can
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Christy Mihaly ; illustrated by Marta Sevilla ‧ RELEASE DATE: May 26, 2026
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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