Sex is easily come by but love proves elusive for the married couples who are members of London's rich, arty set in this thoroughly likable romp from the British Palmer (Scarlet Angel, 1993). ``I don't want the one I've got. I want a different one.'' Tessa Lucas is talking about husbands. ``An upper-crust primitive'' with a will of iron, the beautiful, brainless, sexy Tessa is the engine driving Palmer's novel. She has already slept with half of London and concealed this fact from her jealous, hot-tempered husband, Alexander, who remains unhappily infatuated with her. Then she meets the equally willful, equally promiscuous painter Jack Carey. What could be more chic than being the wife of a famous artist? Her plan greatly alarms her brother James Hartigan. He and Victoria (the only happy couple here) own a gallery, and Jack is their difficult star. They are relying on his long-suffering wife, Ellen, to keep him from drinking and screwing long enough to produce some work for his forthcoming exhibition, and they view Tessa as an intolerable new distraction. Her affair with Jack is the center of the action; on the periphery, poorly integrated into the whole, is another troubled marriage. The unattractive art critic Ginevra Haye married semi-literate builder Kevin because the sex was so good; with Kevin away overseas, Ginevra writes a sexually explicit, wholly imaginary account of a liaison with James (whom she has loved since he deflowered her at Oxford). But writing about women who mope or cope (like Ellen) is not what Palmer does best. She excels at the comic treatment of clashing egos. Sometimes she ratchets up the comedy to the speed of farce: The disastrous Jack Carey private view begins with Tessa replacing a portrait of Ellen with a stunning nude...herself. Though it sometimes feels like a hurried first draft, Palmer's novel has enough attack to make for a consistently lively read.
Pub Date: Oct. 17, 1994
ISBN: 0-312-11326-9
Page Count: 272
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
Like a popcorn action flick: fun but lacking in substance.
Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).
Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.
Like a popcorn action flick: fun but lacking in substance.Pub Date: Feb. 25, 2020
ISBN: 978-1-4926-9775-6
Page Count: 384
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Starts out promising but never quite gets out of first gear.
A laconic auto-body shop owner hopes to woo a longtime crush, but he has to overcome his past trauma to convince her they belong together.
Rena Jackson has started her own hair salon in Seattle and wants her personal life to rev up, too, but she has almost given up on Axel Heller’s making a move. Though she finds the German transplant attractive, she worries that he is commitment-phobic and not ready for true intimacy. With both their upbringings shadowing them (his involves domestic violence and hers a single mother who has looked for love too often), can two strong, wary people become vulnerable to love? Harte (Delivered With a Kiss, 2019, etc.) provides readers with passages about Axel’s painful memories and his fear of being a physical threat to a woman. This is a useful counter to some novels’ tendency to romanticize the threat of male power. But the limited, alternating perspective leaves Rena in the dark for much longer than the reader, with the result that her complaints about Axel’s attachment style edge her into unlikable territory. The novel is threaded together by Axel's awkward (albeit funny) attempts to court Rena with gifts and other gestures but doesn't allow her similar space to show her personality and get us to root for the couple. The quick references to, and scenes with, numerous peripheral characters bog down the romance arc further. The handling of the white supremacists who have been threatening Rena, who's African American, is a broad-stroke attempt to acknowledge racism but lacks nuance, as does a scene involving homophobia. While the novel’s title and cover allude to recent successes like The Kiss Quotient and The Hating Game, it lacks the former’s thematic firm-footedness and the latter’s tonal mastery of comedy and emotion.
Starts out promising but never quite gets out of first gear.Pub Date: Feb. 4, 2020
ISBN: 978-1-4926-9698-8
Page Count: 320
Publisher: Sourcebooks Casablanca
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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