A quiet, contemplative book for bedtime.

READ REVIEW

FINDING MONKEY MOON

When a favorite toy goes missing, what's a little boy to do?

“Every night at half past seven,” Michael and his soft stuffed toy Monkey Moon go "hippity-hop" up the stairs to bed. But one night, Michael can't find Monkey Moon in any of his favorite places—not “hiding under the sofa” or “tucked behind a chair” or “playing in the toy box.” Michael decides that Monkey Moon must have gone to the park. So, even though it's dark and rather cold, Michael decides to go find him. Of course, Dad comes along. The streets are quiet, and a brisk wind blows. The park is empty at this hour, and leaves “scuff around their feet” as they walk, and a white owl hoots on a high branch. Michael searches through the trees, a sandbox, an old wooden bench, and the sunken garden, calling out for Monkey Moon all the while. Nothing. Then, amazingly, Michael kicks at a bush and what should he see in a tangle of leaves and branches on the ground but his best friend. After a long hug, Michael puts Monkey Moon on his shoulder, and the trio hippity-hops home. Pulford's story seems like an excuse for Wilkinson's acrylic illustrations, which capture night's beauty with elegance and depth. The measured prose is a good match, but the book is far more mood piece than plot.

A quiet, contemplative book for bedtime. (Picture book. 4-7)

Pub Date: Nov. 10, 2015

ISBN: 978-0-7636-6777-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 22, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

MANGO, ABUELA, AND ME

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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