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THE MOONLIT VINE

Deeply moving, beautifully written, and inspiring.

The 14-year-old descendant of a Taíno leader finds the strength in ancestral roots to help her present-day community.

Taína, who goes by Ty, has a lot on her plate. Her parents have been separated since her father got out of jail. She takes care of her grandmother, who has Alzheimer’s, and her little brother, who’s in first grade, while her mother works two jobs. Her mom just kicked her older brother out of the house for getting into a fight at school. Childhood friends, including her crush, have felt pressured to join a violent gang. Her neighborhood is gentrifying, and Ty, whose brown-skinned family is Puerto Rican, encounters racism and prejudice everywhere, from the teacher who shames an English language learner to the welfare officer who made her mother feel terrible for applying for affordable housing. One night, Ty’s grandmother gives her an amulet and a zemi, a sacred carving, created by their ancestor Anacaona, a Taíno leader, warrior, and poet. Abuela tells Ty that knowledge of her birthright is her power. As Ty learns more about her heritage, one crisis after another ensues. Readers will cheer for the bold, resourceful protagonist as she uses her newfound power to bring everyone she cares about together to save loved ones and create positive change in her neighborhood. Mayle’s evocative black-and-white art and interstitial chapters centering Ty’s ancestors through the centuries round out the contemporary storyline.

Deeply moving, beautifully written, and inspiring. (author’s note, ancestors, historical timeline, inspiring Boriqueños, references) (Fiction. 13-18)

Pub Date: May 30, 2023

ISBN: 9781643795805

Page Count: 368

Publisher: Tu Books

Review Posted Online: March 28, 2023

Kirkus Reviews Issue: April 15, 2023

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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