In the late-19th century, Lucretia Hale’s hilarious Peterkin Papers followed the misadventures of a family who were the ancestors of The Stupids and Amelia Bedelia. Spurr and Halperin have already adapted The Peterkins’ Christmas (2004)—their light touch and whimsical illustrations are just what are needed to bring this holiday into the realm of the silly. Thanksgiving dinner gets stuck in the dumbwaiter; Amanda the cook can move it neither up nor down. The family (parents, Agamemnon, Solomon John, Elizabeth Eliza and the three Little Boys) troops down to the kitchen, but that doesn’t help. Pickaxes are mentioned. So is tea, but no one wants to spoil their appetites. Finally, the carpenter comes, after his own dinner, and rearranges the weight, which is just what is needed. The hapless Peterkins will have children screaming with laughter—and telling them what to do—while they absorb a certain amount of information about how dumbwaiters work and what it is like to have the kitchen downstairs and dinner served to you. The Lady from Philadelphia, who usually unties the Peterkins’ Gordian knots, is offstage here, the recipient of Elizabeth Eliza’s missives. (Picture book. 6-9)
Pub Date: Oct. 1, 2005
ISBN: 0-689-84142-6
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A club-shaped pumpkin gets dissed by a customer, all the other pumpkins, even twisted apple trees, before the sight of a motley crop of hubbards, acorns and banana squash brings on a personal epiphany: “O my gosh / I’m a squash.” Endowed with a face and stick limbs, the gnarled narrator sits down at a Thanksgiving table with its new soulmates, then is last seen strolling down the lane hand in hand with a lumpy new friend. Written in doggerel—“A skeleton came for pumpkins / one bright and crispy day. / I asked if I could get a ride . . . / He laughed and said: No Way”—and illustrated in brightly colored paint-and-paper collage, this weak riff on the “Ugly Duckling” may not earn high marks for botanical accuracy (all pumpkins are squash), but it does feature plenty of visual flash. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-399-24267-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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