In the late-19th century, Lucretia Hale’s hilarious Peterkin Papers followed the misadventures of a family who were the ancestors of The Stupids and Amelia Bedelia. Spurr and Halperin have already adapted The Peterkins’ Christmas (2004)—their light touch and whimsical illustrations are just what are needed to bring this holiday into the realm of the silly. Thanksgiving dinner gets stuck in the dumbwaiter; Amanda the cook can move it neither up nor down. The family (parents, Agamemnon, Solomon John, Elizabeth Eliza and the three Little Boys) troops down to the kitchen, but that doesn’t help. Pickaxes are mentioned. So is tea, but no one wants to spoil their appetites. Finally, the carpenter comes, after his own dinner, and rearranges the weight, which is just what is needed. The hapless Peterkins will have children screaming with laughter—and telling them what to do—while they absorb a certain amount of information about how dumbwaiters work and what it is like to have the kitchen downstairs and dinner served to you. The Lady from Philadelphia, who usually unties the Peterkins’ Gordian knots, is offstage here, the recipient of Elizabeth Eliza’s missives. (Picture book. 6-9)
Pub Date: Oct. 1, 2005
ISBN: 0-689-84142-6
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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