An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.
A collection of five vignettes portrays life in the age of Covid-19 quarantines.
In the spring of 2020, arts journalist Stewart, befuddled by the pandemic raging across the globe, laughed “at life’s new absurdities.” As a creative outlet, she began writing humorous tales starring quarantined strangers forced to interact with one another and to ultimately learn more about themselves through the “complexities offered by chaos.” The vignettes imagine a time in August 2020 when a second viral mutation emerges and the government distributes permanently locking bracelets to detect and track the infection. The Forget-Me-Not dive bar is the location for the first story, featuring a discreet regular whose bracelet flashes red and blurts out official warnings. The patrons and staff proceed to drink and become acquainted for their mandatory six-week quarantine. Elsewhere, the situation repeats at the Golden Pin-Up Salon, a gossipy, small-town beauty parlor where the beaming bracelets strike terror in the hearts of a feuding housewife and a distressed colorist. The same bright red beacons flash for other strangers who unexpectedly find themselves quarantining together at a rural Missouri dentist office, a Southern California BMW dealership, and the conference room of a prominent attorney. Once introduced, the heartwarming, character-driven tales progress through short chapter snippets. The cross-section of locales sets the scene for a diverse assortment of characters varying in age, race, and gender—and from all walks of life—who personify differing political persuasions, faiths, and perspectives on life and love. The author leaves no person unaffected or plotline dangling, as all of her players recognize, even if fleetingly, the power of human kindness and self-love. As she demonstrated in her advice book about possessions for parents with millennial children, No Thanks Mom (2017), Stewart exhibits a lust for life and parlays the lessons she’s learned throughout her travels into the engaging storylines of this cornucopia of worthy and addictive characters—with cute line drawings by Brallier included. Amusing and immediately relevant, the collection creates a world mired in uncertainty and turmoil but also a place where people can learn from others and become surprised by their capacity for change.
An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.Pub Date: June 30, 2020
ISBN: 978-0-9981025-5-9
Page Count: 180
Publisher: Flandricka House Press
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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