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MY DARLIN' QUARANTINE

INTIMATE CONNECTIONS CREATED IN CHAOS

An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.

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A collection of five vignettes portrays life in the age of Covid-19 quarantines.

In the spring of 2020, arts journalist Stewart, befuddled by the pandemic raging across the globe, laughed “at life’s new absurdities.” As a creative outlet, she began writing humorous tales starring quarantined strangers forced to interact with one another and to ultimately learn more about themselves through the “complexities offered by chaos.” The vignettes imagine a time in August 2020 when a second viral mutation emerges and the government distributes permanently locking bracelets to detect and track the infection. The Forget-Me-Not dive bar is the location for the first story, featuring a discreet regular whose bracelet flashes red and blurts out official warnings. The patrons and staff proceed to drink and become acquainted for their mandatory six-week quarantine. Elsewhere, the situation repeats at the Golden Pin-Up Salon, a gossipy, small-town beauty parlor where the beaming bracelets strike terror in the hearts of a feuding housewife and a distressed colorist. The same bright red beacons flash for other strangers who unexpectedly find themselves quarantining together at a rural Missouri dentist office, a Southern California BMW dealership, and the conference room of a prominent attorney. Once introduced, the heartwarming, character-driven tales progress through short chapter snippets. The cross-section of locales sets the scene for a diverse assortment of characters varying in age, race, and gender—and from all walks of life—who personify differing political persuasions, faiths, and perspectives on life and love. The author leaves no person unaffected or plotline dangling, as all of her players recognize, even if fleetingly, the power of human kindness and self-love. As she demonstrated in her advice book about possessions for parents with millennial children, No Thanks Mom (2017), Stewart exhibits a lust for life and parlays the lessons she’s learned throughout her travels into the engaging storylines of this cornucopia of worthy and addictive characters—with cute line drawings by Brallier included. Amusing and immediately relevant, the collection creates a world mired in uncertainty and turmoil but also a place where people can learn from others and become surprised by their capacity for change.

An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.

Pub Date: June 30, 2020

ISBN: 978-0-9981025-5-9

Page Count: 180

Publisher: Flandricka House Press

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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