A book of subtlety that won’t necessarily change the world but could make a world of difference to LGBTQ teens grappling...

ASHER'S FAULT

Guilt can prove more potent than adolescent hormones when, during your first kiss, the little brother you’re supposed to be watching drowns.

Fourteen-year-old Asher Price lives in small-town Florida with all the average American trimmings: divorced parents, one brother and a broken screen door. Asher’s father left the family and is absent save for his mother’s frequently voiced disdain. A reserved young man, Asher finds escape from his fractured family with a vintage Minolta. Then comes handsome, charismatic Garrett, who triggers stirrings Asher wants to explore. When Garrett and Asher sneak off to share a kiss at the public pool, Asher’s brother drowns. A consequent combination of guilt and religious reflex suppresses any urges Asher has to pursue his attraction to Garrett—or any guy—ever again. Neither as optimistic as David Levithan’s Boy Meets Boy (2003) nor as revelatory as emily m. danforth’s The Miseducation of Cameron Post (2012), this novel finds itself in a realistically awkward place between. It’s a study of how sad and treacherous it can be for an LGBTQ teen—or any teen—to achieve self-acceptance. The rhythm of the text often falls into short phrasing, making it read the way photographers might digest their surroundings: in rapid-fire observations of the tiniest details.

A book of subtlety that won’t necessarily change the world but could make a world of difference to LGBTQ teens grappling with identity. (Fiction. 14 & up)

Pub Date: Sept. 17, 2013

ISBN: 978-1-60282-982-4

Page Count: 264

Publisher: Bold Strokes Books

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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Riveting, brutal and beautifully told.

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    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status.

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FIREKEEPER'S DAUGHTER

Testing the strength of family bonds is never easy—and lies make it even harder.

Daunis is trying to balance her two communities: The Sault Ste. Marie, Michigan, teen is constantly adapting, whether she is with her Anishinaabe father’s side of the family, the Firekeepers, or the Fontaines, her White mother’s wealthy relatives. She has grand plans for her future, as she wants to become a doctor, but has decided to defer her plans to go away for college because her maternal grandmother is recovering from a stroke. Daunis spends her free time playing hockey with her Firekeeper half brother, Levi, but tragedy strikes, and she discovers someone is selling a dangerous new form of meth—and the bodies are piling up. While trying to figure out who is behind this, Daunis pulls away from her family, covering up where she has been and what she has been doing. While dealing with tough topics like rape, drugs, racism, and death, this book balances the darkness with Ojibwe cultural texture and well-crafted characters. Daunis is a three-dimensional, realistically imperfect girl trying her best to handle everything happening around her. The first-person narration reveals her internal monologue, allowing readers to learn what’s going on in her head as she encounters anti-Indian bias and deals with grief.

A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status. (Thriller. 14-18)

Pub Date: March 16, 2021

ISBN: 978-1-250-76656-4

Page Count: 496

Publisher: Henry Holt

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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