Layered, variable, and, like spoiled orange juice, sometimes complicatedly bitter.
A woman on the cusp of adulthood navigates a troubled relationship with her abusive mother.
Among her siblings, 18-year-old Lily has always been known as their mother’s undisputed favorite—“Mama’s doll,” the only one capable of concocting the semispoiled orange juice May favors and soothing her public meltdowns at grocery stores. Unlike her combative sister, Julia, and anxious lawyer brother, Jacob, Lily hews steadfastly to her mother’s rigid expectations, even dyeing her hair dark and wearing color contacts to appear more Chinese (May is Chinese Peranakan and her husband is White). As Lily prepares to enter Oxford in the fall, she subsists on the faith that she must endure only a few weeks more of her mother’s chaos before escaping. But after May accuses Lily’s father of harboring a secret love for Jacob’s ex-wife, Francie, her unpredictability only accelerates—precipitating a string of dramatic family showdowns, public confrontations, and other crises. Simultaneously, Lily is dogged by increasingly frequent flashbacks of some kind that pop into her consciousness, which she suspects may offer clues to her mother’s tragedy-riddled childhood in Singapore (involving, hazily, a devastating fire, a car accident, and the untimely death of a family member). As the summer passes—and with the help of Lewis, a young professor and kindred spirit—Lily weighs the two selves she’s come to know: the one that’s been rigidly formed in her mother’s image and the other whose outlines are blurrier but full of possibility. Debut author King skillfully brings to light the layered, deeply complex machinations that lurk below the surface in families and confer the fragile impression of normalcy; this family’s crosshairs of obligation, love, and resentment, too, are never oversimplified. May is especially captivating: a veritable tyrant who’s also full of sympathetic, deeply human insecurities. Though a few narrative elements are inelegantly constructed—Lily’s flashbacks often read as a plot device—King expertly weaves a compelling family novel.
Layered, variable, and, like spoiled orange juice, sometimes complicatedly bitter.Pub Date: Aug. 23, 2022
ISBN: 978-1-66260-149-1
Page Count: 256
Publisher: Astra House
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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