Chick-lit on steroids.
In Washington, politics permeates everything, even the relationships of its adolescents in this second installment in the Capital Girls series.
This sequel assumes knowledge of major events in the first book and of characters introduced earlier as well. The story mostly follows Jackie, girlfriend to the female president’s son Andrew and daughter to her chief of staff; Laura Beth, daughter of the resolutely Southern widow of a major Republican operative; Whitney, who enjoys manipulating her friends even more than do the others; and Lettie, daughter of unaccountably financially poor parents. All except Lettie come across as privileged, spoiled, scheming and selfish and, frankly, may be difficult for readers to like. The convoluted plot turns on a car accident from the previous book; only the girls know that Andrew was driving at the time. Now someone is stalking Jackie, so she stays at the White House for safety. Monroe (a pseudonym for two co-authors) throws in the obligatory chick-lit focus on fashion, swerving the narrative to New York so Jackie can model for a famous designer, and label-drops with abandon. The broad emphasis of the book, however, appears to be the politics, in a general sense, inherent in the rivalries among the girls. The crowded plots and subplots create confusion amid the hope that these uber-sophisticated, entitled girls never take the reins of government.
Chick-lit on steroids. (Chick-lit. 12-16)Pub Date: Nov. 13, 2012
ISBN: 978-0-312-62305-0
Page Count: 304
Publisher: St. Martin's Griffin
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
An eerie thriller reminiscent of summer horror movies that will keep readers on edge.
Two teens with a dark secret return to their old summer camp.
Childhood friends Esme and Kayla can’t wait to return to Camp Pine Lake as counselors-in-training, ready to try everything they couldn’t do when they were younger: find cute boys, stay up late, and sneak out after hours. Even Andy, their straight-laced supervisor, can’t dampen their excitement, especially after they meet the crushworthy Olly and Jake. An intuitive 17-year-old, Esme is ready to jump in and teach her cute little campers. But when a threatening message appears, Esme and Kayla realize the secret they’ve kept hidden for nearly a decade is no longer safe. Paranoia and fear soon cause Esme and Kayla to revisit their ominous secret and realize that nobody in the camp can be trusted. The slow buildup of suspense and the use of classic horror elements contrast with lighthearted camp activities, bonding with new friends, and budding romance. Similarly, Esme’s first-person point of view allows for increased tension and action as well as offering insight into her emotional and mental well-being. Discussions of adulthood, trauma, and recovery are subtle and realistic, but acts of sexism and machismo aren’t fully analyzed. While the strong buildup of action comes late, it leads to a shockingly satisfying finale. Major characters are White.
An eerie thriller reminiscent of summer horror movies that will keep readers on edge. (Thriller. 12-16)Pub Date: March 2, 2021
ISBN: 978-0-593-12497-0
Page Count: 384
Publisher: Delacorte
Review Posted Online: Dec. 9, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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