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NEARLY GONE

Tense and engaging—well worth the effort of suspending one’s disbelief.

In a suspenseful high school whodunit, AP chemistry student Nearly “Leigh” Boswell investigates a series of murders for which someone is trying to frame her.

Every week, Leigh (which she really prefers to her given name, Nearly) combs the missed-connections ads in her local paper, hoping for word from the father who disappeared years ago. On the day her chemistry teacher lectures the class about Schrödinger’s cat, Leigh spots an eerie outlier among the messages: “Newton was wrong....Find me tonight under the bleachers.” After a math tutee’s brutal attack, a scrawled warning in Leigh’s desk, and a dead cat delivered to Leigh’s doorstep, complete with Schrödinger reference, a second science-themed personal ad convinces Leigh that something nefarious is afoot. With regard to believability, the science-class conceits are as tricky to swallow as the idea that a teenager in 2014 browses print personals. But the point here isn’t realism—it’s puzzles. Cryptic missed-connections clues, a sequence of numbers left on the victims’ bodies, and of course, the identity and motive of the murderer leave plenty for readers to contemplate as Leigh rushes to crime scenes and runs from the police. The story’s single supernatural element—when Leigh touches people, she experiences their emotions—is woven deftly into the story, and the romance plot is compelling.

Tense and engaging—well worth the effort of suspending one’s disbelief. (Mystery. 12-18)

Pub Date: March 25, 2014

ISBN: 978-0-8037-3926-0

Page Count: 388

Publisher: Kathy Dawson/Penguin

Review Posted Online: Jan. 7, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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THE UNDEAD TRUTH OF US

A terrifyingly grounded accounting of the monsters that haunt us.

Grieving a dead parent is made even more unbearable by a zombie outbreak only Zharie seems to notice.

Zharie and her mother were the only Black women on the West Coast Swing dance floor, but after her mother’s death, Zharie is alone in other ways, questioning everything about her mom’s death, especially why no one else noticed she morphed into a zombie as she died. Now Zharie sees zombies everywhere, unsure if everyone else is oblivious, if it’s all a side effect of playing the Cranberries on repeat, or if it’s psychosis brought about by obvious trauma. But when Bo, a charming Black and Vietnamese boy, moves in above the apartment she’s sharing with her emotionally distant aunt, Zharie notices that half of him seems to be a decaying corpse—but only sometimes. The other half is the cute boy she wants to get to know better, if only because he’s an anomaly in this one-sided zombie apocalypse. Zharie narrates this mindfully haunting story with a sharp attention to sensory details, emphasizing the visceral shifts from living to undead and back; for Zharie, being close to Bo, with his soft lips and disarming smile, can quickly become proximity to death, gore, and a pungent stench. Still, she perseveres, learning that zombies are less a threat and more a symbol of heartbreak, but unfortunately there’s more to come as she uncovers the circumstances surrounding her mother’s final days.

A terrifyingly grounded accounting of the monsters that haunt us. (Horror. 13-18)

Pub Date: Aug. 9, 2022

ISBN: 978-1-368-07583-1

Page Count: 368

Publisher: Disney-Hyperion

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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EACH OF US A DESERT

A meditation and adventure quest offering solace to anyone bearing an unfair burden.

What does it mean to come into your own power by letting go of it?

The villagers of Empalme devoutly pray to Solís, the feared higher power who unleashed La Quema, or fire, on humanity for its ills of greed, war, and jealousy. As the village cuentista, Xochitl listens to and receives the villagers’ stories into her body, clearing their consciences, preventing the manifestation of their nightmares, and releasing them to Solís in the desert. Having diligently played this role since childhood, she is now a deeply lonesome 16-year-old whose only comfort comes from cherished poems. Worn weary by her role, she leaves on an odyssey in search of another way to exist. In their sophomore novel, Oshiro deftly weaves an intricate, allegorical, and often gory tale within a post-apocalyptic desert setting that readers will feel so viscerally they may very well need to reach for a glass of water. It is a world parallel to ours, rife with Biblical references and the horrific traps that Latinx immigrants face while seeking better lives. Xochitl’s first-person, questioning narration—interlaced with terrifying cuentos that she receives on her journey—is the strongest voice, although secondary and tertiary characters, both human and mythical, are given a tenderness and humanity. All main characters are Latinx, and queer relationships are integrated with refreshing normality.

A meditation and adventure quest offering solace to anyone bearing an unfair burden. (Fantasy/horror. 14-18)

Pub Date: Sept. 15, 2020

ISBN: 978-1-250-16921-1

Page Count: 432

Publisher: Tor Teen

Review Posted Online: June 24, 2020

Kirkus Reviews Issue: July 15, 2020

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