A self-indulgent novel about a self-indulgent character in which titillation trumps insight.
Nash’s debut novel explores the territory between attraction and obsession with a healthy dose of apathy thrown in for good measure.
Lilith is a poster child for disaffected youth growing up on the wrong side of the tracks in Colorado Springs in the early 2000s. A recent high school graduate, she lives in a dilapidated trailer park with her clinically depressed mother and, in between her shifts at RadioShack, spends her time drinking Robitussin and stealing her mother’s Vicodin. A bitterly precise observer of the monoculture that surrounds her, Lilith is committed to whiling away her young adulthood in a haze of drugs, sex, late '90s shock rock, and plaintive tattoos until she meets Matt and Frankie, young parents in search of something new to spice up their relationship. What follows is an escalating series of encounters in which characters get tattoos, do drugs, have increasingly violent sex, and explore the boundaries of possession as Lilith tries to fill the “daddy-shaped hole” left by her father’s death. Lilith’s name is given to her by Frankie as a symbol of her “wild demon woman” nature, and, as the relationships among the trio deepen, the symbolism of this identity as an anti-Eve is played upon. Lilith is attracted to Frankie’s poise and wants to possess her friendship; she is obsessed with Matt’s eros and wants to possess his love; she is in turn both the dominant and the submissive in a series of sexually manipulative encounters with her friend Jenny; her RadioShack boss, Sam; her unnamed high school boyfriend; and Matt’s friend Patrick. In short, she “[makes] a chaotic mess” of both her life and the lives of everyone around her. As the novel progresses, the characters’ predictable changes of heart and the power dynamics that drive the plot become muddled by Nash’s insistent return to Lilith’s mantra of low self-esteem and a kind of hot-topic Satanism that stands in for a philosophical investigation into Lilith’s inner life. While Nash’s choice of the first-person narrator gives us a believable and at times engaging window into a specific subset of the early 21st century’s version of corporate nihilism, the work as a whole is overshadowed by Lilith’s unrelenting narcissism, which prevents the reader from forming any empathy with her point of view or sympathy for her eventual vulnerability.
A self-indulgent novel about a self-indulgent character in which titillation trumps insight.Pub Date: April 3, 2018
ISBN: 978-1-938604-43-0
Page Count: 128
Publisher: Dzanc
Review Posted Online: Feb. 10, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
Classic Macomber, which will please fans and keep them coming back for more.
Jo Marie Rose continues to harbor struggling guests in her Cedar Cove inn while she works through her own grief.
After learning of her husband’s death in Afghanistan, Jo Marie bought a B&B in Cedar Cove and christened it The Inn at Rose Harbor. Settling into the charming community, becoming a first-class baker, and opening her home and her heart to guests have contributed to her own healing process, and she always feels especially connected to guests who are working through their own issues. She believes that the inn and the town offer sanctuary to anyone who needs it and is gratified when visitors seem buoyed by them. It’s spring in Cedar Cove, and guests to the inn include Annie, a young woman who has recently broken off her flawed engagement, and Mary, who is fighting cancer and wants a last glimpse of Seattle and some important people who live there, including George, the only man she ever loved. As for Jo Marie, she has a few concerns this season, including the ornery handyman she works with and some difficult news regarding the husband she still mourns. Each woman will find strength and refuge in facing painful aspects of their pasts, and romance is in the air for Annie from the least expected direction. Mary faces an uncertain future but is heartened by some long-hoped-for reconciliations. And Jo Marie still finds peace in her home and business, even if her personal life lacks resolution. In the second of Macomber’s Rose Harbor series, readers will find the emotionally impactful storylines and sweet, redemptive character arcs for which the author is famous.
Pub Date: Aug. 13, 2013
ISBN: 978-0-345-52893-3
Page Count: 336
Publisher: Ballantine
Review Posted Online: June 21, 2013
Kirkus Reviews Issue: July 1, 2013
For Coulter's sizable following (The Heiress Bride, etc. etc.): a blast-off for a new Regency trilogy involving romance and a trace of mystery. Josephina, dubbed "Duchess" at an early age because of her cool aloofness—the result of learning, at the age of nine, that she's a bastard—is the by-blow of the Earl of Chase and a lovely mother ensconced in a nearby cottage. Duchess is raised in Chase Park and, after the deaths of her mother and the Earl, spirits herself off with a huge servant named Badger to the cottage, where she supports herself in a mysterious fashion. Meanwhile, the new Earl, Marcus Wyndham, learns—to his horror—that Duchess's father, who married her mother at last, has left all to his daughter, who now has the problem of restoring the inheritance and pride to handsome Marcus. The answer, of course, is to trick him into marriage—and bed. While this venerable and favorite feature of the romantic novel—spouse-seduction—is oozing on, a group of cousins troop in from the Colonies, including vigorous widower Trevor, who, like others in the family, is intrigued by rumors of a buried treasure on the premises. Before that's discovered, though, there'll be some near-fatal attempts on the Duchess's life and an escape from a murderer—who's bound to resurface in future volumes. Coulter seems to have hit a popular vein between the more elegant Regency romances (with period diction) of, say, Patricia Veryan, and the squashiest of the paperback palpitators. A quick circulator.
Pub Date: Jan. 1, 1994
ISBN: 0-399-13878-1
Page Count: 304
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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