In Strauss’ debut novel, Casey Donavan must deal with all the average problems of the average, modern teenage girl: body image issues, mean girls at school, an impossible crush—and spontaneous time travel.
Within the opening paragraphs of this YA romance, the reader learns about Casey’s time-traveling woes. Casey tells the reader herself, in fact, using the same sarcastic, witty first-person voice consistently maintained throughout the book. First-person perspective done right makes a protagonist seem more accessible, and Strauss certainly does it right with Casey. Aside from her secret time-traveling troubles, Casey must also deal with all the relatable drama that often defines one’s teenage years. But if she thought that balancing her two separate lives proved difficult before, it only gets harder after her two worlds collide; she accidentally takes her crush—school heartthrob and star athlete Nate Mackenzie—back in time with her, and the whole situation leaves him feeling more than a little unnerved. All things considered, though, he adapts remarkably well to this strange set of circumstances and the unusual girl responsible for them—which is fortunate, considering the fact that Casey accidentally drags him back to the 1860s nearly every time they touch. The two of them must determine the nature of their unexpected relationship while navigating turbulent times together. Strauss successfully addresses the societal differences between then and now, providing enough detail to make the characters’ actions seem plausible without overwhelming the reader with too much historical information. The author addresses the difficult topic of time travel in a similarly balanced manner, leaving the phenomenon just vague enough to prevent too many sticky questions from popping up. The lack of detail in some portions of the novel make a few scenes seem rushed, however, and may leave readers wishing they had more to mull over. Readers who “trip” back in time with Casey will wish they could stay longer in her strangely relatable place.
Pub Date: Oct. 17, 2011
ISBN: 978-1466440968
Page Count: 292
Publisher: CreateSpace
Review Posted Online: Feb. 28, 2012
Review Program: Kirkus Indie
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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