This book is courageous, revealing, and occasionally painful, and Atlanta writes with verve and authority.
When an expert in the beauty business surveys the field, she finds a bleak and frightening landscape.
Atlanta, who has long been a figure in the beauty industry as a writer, editor, and brand consultant, deftly gauges and examines the pressure on young women to be constantly beautiful, fresh, and fashionable. She is brave enough to recount her firsthand experience with beauty culture and supplements her investigation with interviews with influencers, researchers, and young women who religiously follow the trends. She even spent time with Kylie Jenner, the source code for much of the modern beauty business, who in person turned out to be much more ambiguous and uncertain than her social media profile suggests. For many young women, beauty has become an obsession, and they spend much of their life (and money) on skin care routines, diets, and surgical enhancements. Atlanta acknowledges that beauty has always had a commercial aspect, but social media has taken it to a new, ultracompetitive level. Filters and software apps mean that a digital image can be endlessly improved and perfected, to the point that reality has become detached from what is presented on the screen. The result of all this is stress, depression, and heartache for millions of women worldwide. Far from freeing women, beauty has become another tool of manipulation, and Atlanta concludes that the cycle must end. In the closing chapter, she offers useful advice on breaking the addiction, and it begins with true self-awareness. “You do not owe anyone perfect, and you don’t owe anyone pretty,” she writes. “Remove the glossy filter that smooths out any negativity, resist the feminine urge to lighten the mood, or to make others comfortable [and] practice radical honesty with yourself and others.”
This book is courageous, revealing, and occasionally painful, and Atlanta writes with verve and authority.Pub Date: Aug. 6, 2024
ISBN: 9781250286222
Page Count: 384
Publisher: St. Martin's
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: May 15, 2024
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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