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BAYOU BOOK THIEF

Standard cozy fare served up Crescent City style.

A New Orleans newbie finds charm and murder in the Big Easy.

Like most cozy heroines, Miracle “Ricki” Fleur de Lis James-Diaz left a good job in the big city (Los Angeles) under a cloud (her boss’s involvement in a Ponzi scheme). But unlike most of the others, she licks her wounds not in some sleepy backwater but in hustling-and-bustling New Orleans. After renting a shotgun cottage from Kitty Kat Rousseau—who despite her name is not a madam but a synchronized parade dancer—she snags a job at the Bon Vee Culinary House Museum, one of the Garden District’s premier tourist attractions. Bon Vee is run by Eugenia Charbonnet Felice, last in a long line of elegant but fun-loving Charbonnets. It was Eugenia’s grandma Genevieve who turned the old plantation into a historical site. Madame Noisette, a volunteer docent at the Bon Vee who was Genevieve’s friend, regales the staff with tales of champagne-filled parties that lasted until dawn. Executive director Lyla Brandt is impressed, but director of educational programming Cookie Yanover is too busy ogling Eugenia’s nephew Theo to care. If only the Bon Vee crew paid as much attention to tour guide Franklin Finbloch, they might have caught on earlier to his pilfering of Bon Vee artifacts. When they do notice, he’s fired only to show up days later in a trunk together with a giant collection of books. Ricki is eager to keep all the folks she hopes will become her new New Orleans “family” off the list of police suspects. Her sleuthing places her in all-too-foreseeable peril.

Standard cozy fare served up Crescent City style.

Pub Date: June 7, 2022

ISBN: 978-0-59343-761-2

Page Count: 304

Publisher: Berkley

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE WIDOW

Everything you’d expect from Grisham, and this time something more.

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  • New York Times Bestseller

After more than three decades of producing bestselling legal thrillers, Grisham tries his hand at a whodunit.

Eleanor Barnett wants Simon Latch to write her a will. That’s pretty much his job description, since practicing law in Braxton, Virginia, for 18 years hasn’t given him much opportunity to spread his wings. But the case of Netty, as she insists he call her, is different. She’s an 85-year-old widow whose second husband, Harry Korsak, left her with something like $20 million in cash and securities. She has a pair of stepsons, Clyde and Jerry Korsak, she’s determined to disinherit. And she already has a will, a document Wally Thackerman drafted a few weeks ago that basically allowed him, as Simon soon discovers, to pillage her estate. So instead of following his usual procedure and asking his longtime secretary, Matilda Clark, to type out the will, Simon types it himself and has it witnessed without saying anything to her. Of course he’d never do what Wally Thackerman did, but given his poverty, his gambling addiction, and his estrangement from his wife, Paula, whose income is a lot more stable than his own, he wouldn’t mind drawing just a bit on Netty’s wealth. As it happens, his new client turns out to be more trouble than she’s worth, maybe even more trouble than she would’ve been worth to Wally. And when she ends up dying, her death is swiftly identified as murder, with every indication that Simon killed her himself. The whodunit is unremarkable, but Grisham handles the legal complexities of the case with professional finesse and adds a wonderfully poignant portrait of a nothingburger lawyer trying his best to keep things more or less legal.

Everything you’d expect from Grisham, and this time something more.

Pub Date: Oct. 21, 2025

ISBN: 9780385548984

Page Count: 416

Publisher: Doubleday

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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