edited by Ellen Datlow ; Terri Windling ‧ RELEASE DATE: Oct. 9, 2012
A fine selection for new readers looking to sample this type of fiction or for dedicated fans seeking fresh voices.
Both superstar and up-and-coming YA authors tackle the themes of apocalypse and dystopia in 19 short stories and poems.
Nearly every story provides a first-person adolescent protagonist, with male and female viewpoints equally represented, some with explicit GLBT orientation. The scenarios they narrate vary widely—from ecological catastrophes to alien invasion, political revolutions to supernatural uprisings, religious tyranny to socioeconomic collapse—but with less emphasis on the mechanics of the disaster than on coping with the aftermath. Graphic violence and destruction are avoided in favor of pointed allusions and carefully selected images; although many are creepy or even nightmarish, most conclude on a note of hope. Yet the relentless succession of bleak circumstances and failure eventually blurs the individual voices into an indistinguishable grimness. Indeed, the concluding bibliographical essay by the editors is in many ways the highlight of the volume, succinctly tracing the history, appeal and best current examples of the genre.
A fine selection for new readers looking to sample this type of fiction or for dedicated fans seeking fresh voices. (Science fiction/short stories. 12 & up)Pub Date: Oct. 9, 2012
ISBN: 978-1-4231-4619-3
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: Aug. 14, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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edited by Ellen Datlow ; Terri Windling
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edited by Ellen Datlow by Anupama Chopra & edited by Terri Windling & illustrated by Charles Vess
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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