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THE JOURNAL OF PATRICK SEAMUS FLAHERTY

UNITED STATES MARINE CORPS

“I pretty much use the same words over and over, because I don’t know very many,” soldier Patrick Seamus Flaherty tells Doc Jarvis midway through this entry in the Dear America series. And therein lies the problem: readers are subjected to the poor writing of an unreflective high school boy as he records—in a blue book his father had left over from his own journal-keeping days in WWII—his observations of his tour of duty in Vietnam and of the events surrounding the battle of Khe Sanh in 1968. The problem with this entry is the problem with the series in general and with the journal format in particular: journal-writing distances readers from the drama and immediacy of events. An inarticulate witness such as Patrick inspires little interest in reading his words. Battles are fought, friends die, and Patrick is wounded; yet the words don’t carry any depth of feeling or insight. As the war grinds on, so do Patrick’s words. Even in a pain killer-induced haze, he writes and writes, until he stops because “It hurts a lot.” An epilogue continues Patrick’s story to the present, encouraging readers to think of Patrick as a real person as he marries, joins the Boston Fire Department, has children and grandchildren, and rarely talks about his time in Vietnam. The best part is the Historical Note, which provides an overview of the war in Vietnam and may make the volume of use to report-writers. (Fiction. 9-14)

Pub Date: June 1, 2001

ISBN: 0-439-14890-1

Page Count: 192

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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GLORY BE

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl...

The closing of her favorite swimming pool opens 11-year-old Gloriana Hemphill’s eyes to the ugliness of racism in a small Mississippi town in 1964.

Glory can’t believe it… the Hanging Moss Community Pool is closing right before her July Fourth birthday. Not only that, she finds out the closure’s not for the claimed repairs needed, but so Negroes can’t swim there. Tensions have been building since “Freedom Workers” from the North started shaking up status quo, and Glory finds herself embroiled in it when her new, white friend from Ohio boldly drinks from the “Colored Only” fountain. The Hemphills’ African-American maid, Emma, a mother figure to Glory and her sister Jesslyn, tells her, “Don’t be worrying about what you can’t fix, Glory honey.” But Glory does, becoming an activist herself when she writes an indignant letter to the newspaper likening “hateful prejudice” to “dog doo” that makes her preacher papa proud. When she’s not saving the world, reading Nancy Drew or eating Dreamsicles, Glory shares the heartache of being the kid sister of a preoccupied teenager, friendship gone awry and the terrible cost of blabbing people’s secrets… mostly in a humorously sassy first-person voice.

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl who takes a stand. (Historical fiction. 9-12)

Pub Date: Jan. 1, 2012

ISBN: 978-0-545-33180-7

Page Count: 208

Publisher: Scholastic

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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