Gilchrist rounds up the usual suspects—and a few newcomers—in an uneven but always readable eighth collection (The Courts of Love, 1996, etc.). Yes, Rhoda, many of the other Mannings, and their various cousins are back: since In the Land of Dreamy Dreams (1981), they have provided Gilchrist with a convenient, semi-autobiographical framework through which to explore both the madness of family ties and the violent yet homey atmosphere of the American South. But a number of new, generally younger characters give the collection this time a shot in the arm: Gilchrist displays a nice grasp of the apprehensive yet anticipatory, all-possibilities-are-open attitude of young adults in “Excitement at Drake Field,” “The Southwest Experimental Fast Oxide Reactor,” and a series of stories about teenager Aurora Harris, though she can’t resist immersing these people too in intricate family and social networks. (Southerners like Gilchrist, it seems, don’t do alienation—just the mingled security and oppression of an omnipresent support/undermine system.) The author’s political opinions, more openly displayed than usual, also give bite to some lazy writing. Gilchrist slings adjectives with abandon (“fine young smooth thick golden beloved skin”), and the impact of a tough, uncompromising lie about Aurora’s decision to have an abortion (“The Triumph of Reason”) is blunted—for the attentive reader—by the fact that the subsequent linked story is dated three months earlier in 1997 but, by internal evidence, takes place ten months later. Too bad, because “Have a *Wonderful* Nice Walk” has some delicious humor and a vintage Gilchrist line: “Well, that’s the past and the past is a swamp where we wander at our peril.” Nonetheless, her characters wander there frequently, and for the most part we’re glad they do. Gilchrist has always excelled in delineating smart, sexy, crazy people struggling to come to terms with a legacy of beloved, bewildering progenitors. A mixed bag, but Gilchrist’s emotional candor and gift for storytelling make it appealing.
Pub Date: Sept. 18, 1998
ISBN: 0-316-31486-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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