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DON'T CALL ME A HURRICANE

Heartfelt but inconsistent.

Eliza Marino’s family, lifelong residents of New Jersey’s Long Beach Island, lost nearly everything in a devastating hurricane.

Five years later, she and her friends are on a mission to preserve their coastal marshland as a habitat for turtles and other wildlife. A lifeguard and talented surfer, Eliza, 17, remains traumatized by the storm that nearly killed her little brother. She and her friends resent the seasonal residents whose oceanfront mansions replaced the modest homes that were destroyed. Ensuring the marshland is preserved is challenging, however. Spontaneously venting their frustration, the teens vandalize a giant home under construction. For Eliza, teaching Milo Harris, a handsome, wealthy, vacationing New Yorker, to surf proves a happy distraction. However, each keeps secrets that threaten their fledgling romance. Despite one character’s referencing Indigenous activists, the text does not consider the Indigenous people displaced by the islanders’ ancestors. Eliza’s dad works in construction, and the cafe her mom co-owns depends on tourists. Such conflicts, though depicted, aren’t explored in depth and are primarily framed in an interpersonal context. The novel’s strengths are Eliza’s compelling voice—her hurricane flashbacks are mesmerizing—and the conveying of emotion; it only lightly explores the theme of youth climate change activism and issues connected to it. Most characters read as White; several secondary characters are Latinx, and one is nonbinary.

Heartfelt but inconsistent. (author’s note, resources) (Verse novel. 12-18)

Pub Date: July 19, 2022

ISBN: 978-1-5476-0916-1

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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VOICES

THE FINAL HOURS OF JOAN OF ARC

An innovative, entrancing account of a popular figure that will appeal to fans of verse, history, and biography.

A multivoiced verse retelling of the last day of Joan of Arc’s life.

Interspersed with snippets from the transcripts of the Trial of Condemnation and Trial of Nullification are monologues in verse from the individuals surrounding Joan, in actuality or in memory, on the last day of her life. The expected characters are there—Charles VII, her mother, the saints who guided her—but also other, unexpected, choices—the fire, the arrowhead that pierced her shoulder, her hair, her virginity. The title cleverly alludes to both the voices that guided Joan and the cacophony of voices in the book, all of whom take various forms that heighten their individual personality. There is concrete poetry as well as poetic forms popular during and after Joan’s time: the villanelle, the sestina, the rondeau, and the ballade. Joan herself is ethereal, wondering, and poignant. The conceit works; the variety of voices and compelling verse bring the story to life and heighten the pathos of Joan’s death. Among her last words: “…the penetrating / pain will be my ecstasy in / knowing I was true; there is nothing / I have done that I would alter / or undo.” Compelling for pleasure reading, this will also be a valuable addition to language arts lessons.

An innovative, entrancing account of a popular figure that will appeal to fans of verse, history, and biography. (preface, map, author’s note, list of poetic forms) (Historical verse novel. 13-adult)

Pub Date: March 26, 2019

ISBN: 978-1-328-98759-4

Page Count: 208

Publisher: HMH Books

Review Posted Online: Dec. 11, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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SMOKE

A strong, painful and tender piece about wresting hope from the depths of despair.

Two sisters wrestle with guilt and fear after one kills the father who battered them.

Readers last saw 17-year-old Pattyn at the cliffhanger ending of Burned (2006), immediately after her beloved boyfriend and their unborn baby were killed in a car wreck. Stunned with grief and fury, and with nothing left to lose, Pattyn vowed to shoot her long-abusive father, whom she blamed for the accident. This much-desired sequel begins two weeks later—and Dad’s dead. Escaping town, Pattyn meets a warm, welcoming family of mostly undocumented farm laborers. They find her a ranch job, where she hides from law enforcement. Meanwhile, 15-year-old Jackie is stuck at home, narrating her own half of the story. Through free-verse poems thick with the weight of trauma, the shooting’s details emerge. A schoolmate raped Jackie; blaming Jackie, Dad broke her ribs and loosened her teeth; Pattyn’s gun stopped Dad forever. Now Pattyn faces “blood-caked nightmares,” while Jackie fights a mother and two LDS church leaders who insist she forget her rape. Waiting for the past to “tackle [them] from behind,” both girls struggle toward fragile new connections and inner strength. The lives of undocumented Americans, a renegade hate movement and a wild horse wary of trust are all organic to the plot.

A strong, painful and tender piece about wresting hope from the depths of despair. (author’s note) (Verse fiction. 13-17)

Pub Date: Sept. 10, 2013

ISBN: 978-1-4169-8328-6

Page Count: 560

Publisher: McElderry

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: July 15, 2013

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