Next book

DON'T CALL ME A HURRICANE

Heartfelt but inconsistent.

Eliza Marino’s family, lifelong residents of New Jersey’s Long Beach Island, lost nearly everything in a devastating hurricane.

Five years later, she and her friends are on a mission to preserve their coastal marshland as a habitat for turtles and other wildlife. A lifeguard and talented surfer, Eliza, 17, remains traumatized by the storm that nearly killed her little brother. She and her friends resent the seasonal residents whose oceanfront mansions replaced the modest homes that were destroyed. Ensuring the marshland is preserved is challenging, however. Spontaneously venting their frustration, the teens vandalize a giant home under construction. For Eliza, teaching Milo Harris, a handsome, wealthy, vacationing New Yorker, to surf proves a happy distraction. However, each keeps secrets that threaten their fledgling romance. Despite one character’s referencing Indigenous activists, the text does not consider the Indigenous people displaced by the islanders’ ancestors. Eliza’s dad works in construction, and the cafe her mom co-owns depends on tourists. Such conflicts, though depicted, aren’t explored in depth and are primarily framed in an interpersonal context. The novel’s strengths are Eliza’s compelling voice—her hurricane flashbacks are mesmerizing—and the conveying of emotion; it only lightly explores the theme of youth climate change activism and issues connected to it. Most characters read as White; several secondary characters are Latinx, and one is nonbinary.

Heartfelt but inconsistent. (author’s note, resources) (Verse novel. 12-18)

Pub Date: July 19, 2022

ISBN: 978-1-5476-0916-1

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

Next book

BEHIND THESE HANDS

Brings awareness with sensitivity and grace to a rare, always fatal disease.

When devastating news hits, a 14-year-old piano prodigy questions her place in her family and the world in this novel in verse.

Claire Fairchild was born to make music and has been preparing for an elite competition that could have a tremendous impact on her future. When both of her little brothers, Trent, 6, and Davy, 7, are diagnosed with Batten disease, a rare, incurable illness that leads to physical and mental deterioration and then death, Claire’s carefully outlined world collapses: “Batten has rearranged our family / like pieces of familiar furniture / placed awkwardly in a new setting.” Music is no longer important: “I don’t feel the music in me at all. / It feels dead.” She feels “dirty inside” for worrying about the impact this news has on her competition prep. How can she continue to make music when her brothers are dying? With the support of her friends, Juan and Mia, Claire finds hope—not that her brothers will live, but that she can use her music to celebrate their lives, no matter how brief. Free verse evokes the myriad emotions brought up by the story’s numerous well-balanced themes. The result is a richly woven, unforgettable symphony of feelings and words. Claire and her family are white, as is Mia; Juan is Cuban.

Brings awareness with sensitivity and grace to a rare, always fatal disease. (author’s note) (Fiction. 12-17)

Pub Date: July 17, 2018

ISBN: 978-1-61153-259-3

Page Count: 300

Publisher: Light Messages

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

Next book

LAWLESS SPACES

A compelling feminist story.

A girl searches for authenticity in a world that constantly judges her.

The women in the Dovewick family have a few things in common. Short and buxom with cascading blond hair, they have the kinds of bodies other people feel free to project their assumptions onto. Starting on their 16th birthdays, each woman also keeps a journal in which they write poems about things not said aloud. Mimi has plenty to write about since she doesn’t have many authentic connections in real life—she and her mother don’t connect like they used to, and Mimi’s many followers on social media only know the curated version she shares there. As Mimi reads the older generations’ journals, she encounters women she never really knew, whether it’s a different side of someone familiar, as with her mother, or untold stories, such as learning that in 1954 her great-grandmother was pressured into sex and then ditched by a manipulative boyfriend despite her unplanned pregnancy. Meanwhile, Mimi’s mom publicly accuses a famous director of sexual assault, and the first Mimi hears about it is from the news. The verse journal excerpts making up this narrative powerfully convey generations of sexism surrounding women in many areas of their lives and ask whether that history is an emotional connection or a curse that is doomed to be repeated. By turns fragile, tough as nails, halting, and determined, these characters’ voices command attention. The cast defaults to White.

A compelling feminist story. (author’s note) (Verse novel. 14-18)

Pub Date: Jan. 18, 2022

ISBN: 978-1-5344-3706-7

Page Count: 496

Publisher: Simon & Schuster

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

Close Quickview