TRICKS

Hopkins sharply portrays extreme adolescent turbulence with her biggest cast yet, as five disparate, desperate teens are sucked into the Las Vegas world of selling sex. Indiana farm boy Seth is kicked off his family’s farm for being gay; optionless, he follows a controlling sugar daddy to Vegas. In Boise, Eden’s first romantic relationship spurs her “hellfire-and-brimstone-preaching” Pentecostal parents to declare, “You are obviously possessed by demons,” and send her to Tears of Zion reform camp, where unwilling sex is her only hope for escape. In California, Whitney craves male attention, while Ginger realizes that the rapes she’s endured throughout childhood were orchestrated by her mother for cash. Cody’s in Vegas, already drugging and gambling but crushed when his stepfather dies. All five are “spinning. Spiraling. Clinging to / the eye of the tornado.” Hopkins’s pithy free verse reveals shards of emotion and quick glimpses of physical detail. It doesn’t matter that the first-person voices blur, because the stories are distinct and unmistakable. Graphic sex, rape, drugs, bitter loneliness, despair—and eventually, blessedly, glimmers of hope. (Fiction. YA)

Pub Date: Aug. 25, 2009

ISBN: 978-1-4169-5007-3

Page Count: 640

Publisher: McElderry

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2009

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Sweet, honest, and filled with personality.

SHE GETS THE GIRL

Many begin college with hopes of personal reinvention, and Alex Blackwood and Molly Parker are no exception.

Apparently opposite in every way, both girls nevertheless arrive for their freshman year at the University of Pittsburgh with the same goal in mind: to fundamentally change the way others perceive them and get their dream girls. Easy-peasy. Molly, whose mom is a transracial adoptee from Korea and whose father is assumed White, was socially anxious in high school. She worries that her close friendship with her mother holds her back. Willowy, blond Alex, who is implied White, has never once found herself at a loss in a social situation, and yet her fairy-tale story of adolescent beauty and wit is tempered by having a single mom whose struggles with alcohol abuse meant shouldering responsibilities far beyond her years. Utilizing tried and true tropes, married couple Lippincott and Derrick cut right to the heart of the matter when it comes to the mysteries of romance. Queerness itself is never the motivator of the drama, and gratifyingly, both girls find in one another the means to explore and unpack complexities of life unrelated to their sexualities. Nothing is made simplistic—not Alex’s relationship to self-expression and conventional beauty standards, nor Molly’s experiences of culture and community in a world that has expectations of her based on her racial identity.

Sweet, honest, and filled with personality. (Romance. 14-18)

Pub Date: April 5, 2022

ISBN: 978-1-5344-9379-7

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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