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NINON, EDITED

A sometimes-overwritten but realistic and often touching story of intricate family relationships.

In Kent’s coming-of-age novel, an intelligent young woman struggles with her fraught relationship with her mother.

In the early 1940s, a 20-year-old woman named Leahis determined to go to college—in part, as an escape from her family’s cramped apartment in Brooklyn: “Sharing a home with her father, sister, and brother-in-law was bad enough, but the onslaught of [her sister’s]children had made it unbearable.” Leah is ecstatic when she’s able to move into a small room in a boarding house; at Brooklyn College, she falls under the spell of a handsome professor named Noah Oliver. He woos Leah with fancy dinners, and in time, the two get married; she gives birth to a daughter named Ninon, who becomes the focus of the narrative. The mother-daughter relationship is fraught from the beginning; Leah isn’t exactly thrilled by the challenges of motherhood, nor does she take kindly to interference from her mother-in-law, Linda, who loves to lavish attention on the little girl. What’s more, Ninon is a precocious child who’s able to read at a very young age. She finds traditional schooling to be a stifling waste of time, but as much as she’d like to participate in activities with adults, Leah reminds her repeatedly that Ninon’s her daughter, and not her friend. Leah’s parenting style is cold, to say the least, as she even unjustly blames Ninon for the death of a family member. At one point, Ninon says, not without reason, “My mother hates me. She has since the day I was born.” With time, can the two reconcile and reach an understanding?

Ninon’s childhood journey is extensively detailed, with references to Girl Scout cookie sales, summer camp, and a trip to Yankee Stadium, where a young Ninon gets to meet “the nineteen-year-old Yankee rookie sensation Mickey Mantle.” The latter might have been a rewarding surprise, but this event, like many others, involves an extensive buildup, with Ninon’s grandfather explaining, “I will get tickets for us at Yankee Stadium for the World Series, and I will even get to have you meet Mickey Mantle.” (The Mick, for his part, doesn’t have a lot to say, other than “We Okies la-ak to greet people with big be-ar hugs.”) Many other figures in the story state what they are going to do before doing it, as when one of Ninon’s later suitors announces that he’ll “meet [her] after work and walk [her] home,” before meeting her after work and walking her home. Despite all this unnecessary scene-setting, the more time that the reader spends with Ninon, the more likable she becomes—and the more grating her mother’s criticisms become. After one frightening mishap, her mother tells her that “your fatness buffered your landing, so you didn’t get killed.” As a result, it’s easy to feel for Ninon when she loses people who treat her more kindly, and it invests readers in the ongoing question of what Ninon will be like as she grows older, and how she’ll process the traumatic events of her past.

A sometimes-overwritten but realistic and often touching story of intricate family relationships.

Pub Date: Aug. 7, 2024

ISBN: 9798893083972

Page Count: 408

Publisher: Newman Springs

Review Posted Online: Feb. 14, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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