A coming-of-age story that hits a bit closer to home than Wiseman may have intended.
A young woman endures incredible loss and tragedy, then fights to find her missing siblings and bring a criminal to justice against the backdrop of the Spanish flu epidemic.
September 1918: The war is finally coming to an end. One day, crowds gather at a victory parade in Philadelphia, and soon after, people are dying by the hundreds from the Spanish flu. The danger is particularly high in the overcrowded slums where 13-year-old Pia Lange lives with her German mother and baby brothers as her father fights for the U.S. Army. When her mother dies, Pia must leave the apartment to find food, and she makes the difficult choice to hide her brothers away to keep them safe until her return. Foraging from apartment to apartment in the impoverished, immigrant-populated neighborhood, Pia faints from illness only to wake up several days later in a church hospital ward. Meanwhile, neighbor Bernice Groves finds Pia’s brothers crying in their hiding place and chooses to take them with her. Bernice, driven to the brink of suicide by the recent death of her infant son, is distrustful and resentful of the immigrants who have moved into the neighborhood. At the same time, Pia is taken to an orphanage, at which point things become very Dickensian. Determined to escape and find her brothers if they are still alive, Pia fights to survive as Bernice embarks on a lucrative business of selling orphaned babies to families who have lost children. Wiseman’s novel raises relevant issues about what it means to be an American and about the forms that anti-American sentiment can take in times of crisis; the setting during a pandemic, however, one can assume was less intentional. Reading the novel in the time of COVID-19 adds an even greater resonance, and horror, to the description of the fatal spread of that 1918 flu. The pathos inspired by the sheer scale and indiscriminate nature of pandemic death is almost overwhelming, especially given current events.
A coming-of-age story that hits a bit closer to home than Wiseman may have intended.Pub Date: July 28, 2020
ISBN: 978-1-4967-1586-9
Page Count: 304
Publisher: Kensington
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
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