Perfect for readers who like their mysteries light on the murder but heavy on the humor.
A TV host rushes to solve a murder case, afraid that she could be the killer.
Dana Barry didn’t dream of being a Shopping Channel host—she always wanted to be an actress. But when roles are hard to come by, she accepts a hosting gig and finds out that she’s actually great at selling handbags, jewelry, and loungewear. The channel is struggling, and she thinks pivoting to skin care would be a surefire path to success. But when she attempts to pitch the idea to the company’s lecherous CEO at a booze-filled party on the roof, he’s only interested in her. Turning him down is the last thing Dana remembers clearly—she blacks out, and when she comes to, the CEO is dead. Someone clearly pushed him off the roof, and no one knows who did it. Dana’s homicide detective boyfriend, Ari, is on the case, but he can’t share any confidential info with her. Dana starts to wonder if she could be the murderer—after all, she has no idea what happened after she blacked out. Desperate to clear her name, Dana launches herself into a secret murder investigation using her Shopping Channel connections and her own sleuthing abilities. Will she be able to keep her job, save her relationship, and prove her innocence at the same time? Meister creates an engaging mystery in the unique setting of the home shopping world. It’s as fun to watch Dana piece together the clues as it is to see the behind-the-scenes details of her life as a TV host. Dana juggles a relationship, family drama, and a high-profile job, making her likable and easy to root for. Meister imbues her (and many other characters) with a quick wit and plenty of laughworthy lines. While the murderer’s big reveal isn’t quite as satisfying as it could have been, the journey to get there is entertaining enough that it doesn’t really matter.
Perfect for readers who like their mysteries light on the murder but heavy on the humor.Pub Date: May 25, 2021
ISBN: 978-0-778-30951-2
Page Count: 384
Publisher: Harlequin MIRA
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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