Chester Filbert is the obverse of the little boy who saw it all on Mulberry Street. A dour faced little boy, he never moves from his crouch on the curb. Nor does he turn around to look at the too-familiar Victorian houses on his block which are precisely and geometrically outlined in black and white. Chester is sunk in a slough of boredom, a total inability to find anything interesting in his surroundings but completely convinced that everywhere else there is excitement. The roots of his ennui can be deduced—his house is austere, tightly shuttered, nobody there reacts to what is happening in the neighborhood, in fact the only person who emerges is a nursemaid who occasionally tries to call Chester inside. But in all the other houses and on the sidewalk and street, brilliantly colored people and things emerge and, as the pages are turned, an overlapping series of exciting near-tragedies and triumphs. The pictorial counterpoint to Chester's claim to dissatisfaction offers hours of diversion to children who will find themselves picking out first the obvious then the many minute details, each a complex narrative in itself, as well as a graphic illustration of the sort of atmosphere that can turn a little boy into an unnoticing nobody.
Pub Date: March 22, 1966
ISBN: 0689713355
Page Count: -
Publisher: Atheneum
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: March 1, 1966
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
This should send Dark Knight fans flying to the Batcave—or the bedroom.
Holy bedtime, Batman!
In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”
This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)Pub Date: Aug. 1, 2016
ISBN: 978-1-62370-732-3
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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