A supersharp mystery, more a puzzle than a novel, but endowed with a vivid and extensive cast. In the Christie tradition, Raskin isolates a divers group of strangers—the mysteriously hand-picked tenants of a new apartment building within sight of the old Westing mansion—and presents them with the information that one of them is the murderer. Actually, it turns out that there is no corpse, but no one is aware of that when they are all assembled for a reading of old Westing's fiendish will, which pairs them all off and allots each pair four one-word clues to the murderer's identity. As the winning pair is to inherit Westing's fortune, there is much secret conferring, private investigating, far-out scheming, and snitching and scrambling of the teasing, enigmatic clues. (For example, those of black judge Josie Jo Ford, which she takes for a racial insult, read SKIES AM SHINING BROTHER.) As a result of the pairings, alliances are made and suspended, and though there is no murderer there is a secret winner—the pigtailed youngest of the "heirs"—plus extravagant happy endings for all. As Westing had warned, all are not what they seem, and you the reader end up liking them better than you expected to. If Raskin's crazy ingenuity has threatened to run away with her on previous occasions, here the complicated game is always perfectly meshed with character and story. Confoundingly clever, and very funny.
Pub Date: May 1, 1978
ISBN: 978-0-525-47137-0
Page Count: 192
Publisher: Dutton
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 1, 1978
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually stunning, completely compelling, Wonderstruck demonstrates a mastery and maturity that proves that, yes, lightning...
Brian Selznick didn't have to do it.
He didn't have to return to the groundbreaking pictures-and-text format that stunned the children's-book world in 2007 and won him an unlikely—though entirely deserved—Caldecott medal for The Invention of Hugo Cabret. Weighing in at about two pounds, the 500-plus page tome combined textual and visual storytelling in a way no one had quite seen before. In a world where the new becomes old in the blink of an eye, Selznick could have honorably rested on his laurels and returned to the standard 32-to-48–page picture-book format he has already mastered. He didn't have to try to top himself. But he has. If Hugo Cabret was a risky experiment that succeeded beyond Selznick and publisher Scholastic’s wildest dreams (well, maybe not Scholastic’s—they dream big), his follow-up, Wonderstruck, is a far riskier enterprise. In replicating the storytelling format of Hugo, Selznick begs comparisons that could easily find Wonderstruck wanting or just seem stale. Like its predecessor, this self-described "novel in words and pictures" opens with a cinematic, multi-page, wordless black-and-white sequence: Two wolves lope through a wooded landscape, the illustrator's "camera" zooming in to the eye of one till readers are lost in its pupil. The scene changes abruptly, to Gunflint Lake, Minn., in 1977. Prose describes how Ben Wilson, age 12, wakes from a nightmare about wolves. He's three months an orphan, living with his aunt and cousins after his mother's death in an automobile accident; he never knew his father. Then the scene cuts again, to Hoboken in 1927. A sequence of Selznick's now-trademark densely crosshatched black-and-white drawings introduces readers to a girl, clearly lonely, who lives in an attic room that looks out at New York City and that is filled with movie-star memorabilia and models—scads of them—of the skyscrapers of New York. Readers know that the two stories will converge, but Selznick keeps them guessing, cutting back and forth with expert precision. Both children leave their unhappy homes and head to New York City, Ben hoping to find his father and the girl also in search of family. The girl, readers learn, is deaf; her silent world is brilliantly evoked in wordless sequences, while Ben’s story unfolds in prose. Both stories are equally immersive and impeccably paced. The two threads come together at the American Museum of Natural History, Selznick's words and pictures communicating total exhilaration (and conscious homage to The Mixed-up Files of Mrs. Basil E. Frankweiler). Hugo brought the bygone excitement of silent movies to children; Wonderstruck shows them the thrilling possibilities of museums in a way Night at the Museum doesn't even bother to.
Visually stunning, completely compelling, Wonderstruck demonstrates a mastery and maturity that proves that, yes, lightning can strike twice. (Historical fiction. 9 & up)Pub Date: Sept. 13, 2011
ISBN: 978-0-545-02789-2
Page Count: 640
Publisher: Scholastic
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
A fun, if messy, thriller that’s not afraid to go straight over the top.
A middle schooler must outrun a cadre of strange individuals while puzzling out the truth of what he is in this science-fiction offering.
Fourteen-year-old Noah Prime longs to live somewhere bigger than his small town of Arbuckle, Oregon, though he is happily involved in motocross—at least until he learns that the course is being torn down to make way for a condo development. This bad news coincides with some particularly strange happenings in Noah’s life, such as a literal (and very confusing) collision he has with Sahara, a girl that he comes to find very interesting. This is followed by his experiencing a brief and total paralysis while arguing with some bullies, which his friend Ogden, who is on the autism spectrum, insists is due to a psychological phenomenon called conversion disorder. The truth turns out to be much more complex, and it sends Noah, younger sister Andi, Ogden, and Sahara on a madcap quest involving aliens, time travel, an erupting volcano, and much more. The adventure is laced throughout with goofy, sarcastic humor, balancing the fantastical and somewhat confusing turns of events. While there is resolution at the story’s end, it also clearly sets the stage for a follow-up. The main characters read White by default.
A fun, if messy, thriller that’s not afraid to go straight over the top. (Science fiction. 10-14)Pub Date: April 11, 2023
ISBN: 978-0-7595-5524-2
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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