A respectful and earnest but far from edgy treatment of devastation’s aftermath.
Two damaged people reach tentatively toward healing after the 2002 terrorist bombing in Bali.
Jamie, 32, an adventure travel guide has, against all warnings from friends and family, returned to Bali despite the fact that she is still traumatized by being caught up in the nightclub bombings a year before. (Miguel, her would-be fiance, died; she sustained injuries, including a facial scar.) Her main purpose: to find Gabe, a 40-something man who helped care for her after the disaster, whom she left abruptly a year before. The middle section, narrated by Gabe, reveals that his own trauma began years before the terrorist attacks. A former Boston journalist, Gabe was preoccupied with a deadline when his 4-year-old son Ethan was hospitalized for meningitis. After Ethan’s death, Gabe’s marriage falls apart, and guilt-ridden, he gives up journalism to become a teacher in Bali, where he’s also embraced the lifestyle of the loner expat. Dining with a surfer friend one night, he hears an explosion and runs to the site of two nightspots which are in flames. There, he rescues Jamie, but at her urging, and even after she is injured by falling debris, both return to pull several more survivors out of the wreckage. In the ensuing chaos, Gabe wangles prompt medical treatment for Jamie and cares for her at a friend’s beach cottage until she can get a flight out. Though Jamie has managed to thaw the iceberg that is his heart, he’s thrust back into isolation when Jamie leaves without explanation. A year later, Jamie is back, but Gabe refuses to be fooled twice. Echoing Bali’s difficult recovery from the cataclysm, the characters tread the difficult terrain of post-traumatic attachment. Although the seascapes and street life of Bali are appealingly presented, Sussman’s approach to her characters' emotional lives is as restrained and muted as their disassociated response to their ordeal. Dramatic tension suffers as a result.
A respectful and earnest but far from edgy treatment of devastation’s aftermath.Pub Date: March 26, 2013
ISBN: 978-0-345-52281-8
Page Count: 256
Publisher: Ballantine
Review Posted Online: Dec. 15, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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