by Ellen Sweets ‧ RELEASE DATE: Oct. 1, 2011
Not quite a memoir or a cookbook, this affectionate biography of a friendship vividly illustrates the importance of cooking...
An account of the friendship between Austin reporter Sweets and noted columnist Molly Ivins, complete with recipes they cooked together.
The narrative calls to mind a hot evening sitting on a front porch, shooting the breeze and drinking beer with friends. Stories are swapped, not in any particular order, but rather as the spirit moves the assembled party. And Sweets has assembled quite a party: Friends, colleagues, family members and admirers of the late Ivins share tales of her famously sharp political wit, her dedication to her beliefs and her culinary mishaps and triumphs. The author reminds us frequently that though Ivins was a private woman, she connected to others through food. Readers who loved her prose can now also love her Four Seasons Fancy Chocolate Cake and her Ouefs Brouille. Though several of the recipes are extremely time-consuming, there are also less-complicated versions of famously complicated dishes (see “Cassoulet, Sorta”). To replicate the front-porch feeling, it might be best to scan the recipes and then read the accompanying anecdotes while your African Chicken is simmering. There is no real narrative arc and little discernible organization; the book could be either amiably rambling or lackadaisically unglued, depending on the reader’s fondness for long, interminable post-dinner conversations rendered in prose. The author overuses the technique of using paragraph breaks and short sentences to create drama, but otherwise the stories are funny, touching and revealing—and augmented with plenty of photos.
Not quite a memoir or a cookbook, this affectionate biography of a friendship vividly illustrates the importance of cooking to one of the 20th century’s most beloved progressive writers and activists.Pub Date: Oct. 1, 2011
ISBN: 978-0-292-72265-1
Page Count: 266
Publisher: Univ. of Texas
Review Posted Online: July 30, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Patti Smith ‧ RELEASE DATE: Jan. 19, 2010
Riveting and exquisitely crafted.
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National Book Critics Circle Finalist
National Book Award Winner
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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