Cute and reassuring though lightweight.

BECOMING BLUE

Blue is as blue does.

Shy Blue, a square, idolizes outgoing, brave, accomplished Red, a sphere. Blue is a square in more ways than one, while Red’s the color of a firetruck, fire itself, and, best of all, a stop sign. Fed up that Blue copies her, she demands that he “Go be Blue!” i.e., himself. Blue tries to find his essential blueness but can’t. As events unfold, however, Blue discovers marvelous, hitherto unknown talents that only someone blue can possess. In the end, Red not only acknowledges and compliments Blue’s specialness, but also adopts some qualities that make him unique. Better still, the pals discover that, when combining talents, something extraordinary happens. Being oneself is a great message to convey—as is joining forces with friends—and while this is a familiar, somewhat predictable tale, the author relays the idea mostly successfully, though the conclusion feels a little tacked-on. Capable, self-assured Red is occasionally haughty, though, admittedly, she relents by the end. Self-effacing Blue is presented as largely ineffectual and sometimes simpering. Though Blue’s heightened sense of self-worth develops late, readers will welcome it and appreciate Red’s respectful acknowledgment. The quirky digital illustrations are appealing; occasional colored typefaces and backgrounds enhance visual interest, as do the characters’ expressive faces, achieved through dots for eyes and simple lines for mouths. (This book was reviewed digitally.)

Cute and reassuring though lightweight. (Picture book. 4-7)

Pub Date: Aug. 30, 2022

ISBN: 978-1-66590-001-0

Page Count: 48

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

MANGO, ABUELA, AND ME

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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