An issue-driven story overtly strives for a message and debate on how to define God. Liz is torn between her parents: Her mother seeks solace in a church where the spiritual leaders channel the voices of the dead to the living. Liz’s father is against it and eventually separates from the family. In the middle of this situation, Liz comes to understand that her mother is not there for her. Layered on is the introduction of Nathan and his younger sister, who move into their inhospitable grandmother’s house because their mother is dying of leukemia. Nathan and Liz attempt to go out, but Liz becomes his main source of consolation and stability. Luckily Liz has exceptional emotional intelligence, because, though she’s the one who suffers multiple losses, she’s also the one character who provides solace to all—and sets up the poignant and satisfying conclusion. Set in Massachusetts, the focus on questioning God seems within the tradition of New England literature. But the presentation is often heavy-handed; the subtleties come toward the end—again at the behest of Liz. Lots of grief, little humor and a character who is so stable that readers might be surprised to realize she’s a character who defines for a new age the concept of “hero.” (Fiction. 12-14)
Pub Date: July 1, 2006
ISBN: 1-4169-0273-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
PERSPECTIVES
At once serious and playful, this tale of a teenager’s penitential journey to four corners of the country can be read on several levels. While attempting to kill himself on the highway after a humiliating social failure, Brent causes a fatal accident for another motorist, Lea Zamora. His sentence requires a personal act of atonement, if the victim’s family so desires; Lea’s mother hands him a bus pass and tells him to place pictorial whirligigs in Maine, Florida, Washington, and California as monuments to her daughter’s ability to make people smile. Brent sets out willingly, armed with plywood, new tools, and an old construction manual. Characteristically of Fleischman (Seedfolks, 1997, etc.), the narrative structure is unconventional: Among the chapters in which Brent constructs and places the contraptions are independent short stories that feature the whirligigs, playing significant roles in the lives of others. Brent encounters a variety of travelers and new thoughts on the road, and by the end has lost much of the sense of isolation that made his earlier aspirations to be one of the in-crowd so important. The economy of language and sustained intensity of feeling are as strongly reminiscent of Cynthia Rylant’s Missing May (1992) as are the wind toys and, at least in part, the theme, but Fleischman’s cast and mood are more varied, sometimes even comic, and it’s Brent’s long physical journey, paralleled by his inner one, that teaches him to look at the world and himself with new eyes. (Fiction. 12-14)
Pub Date: May 1, 1998
ISBN: 0-8050-5582-7
Page Count: 133
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
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