An intelligent and deeply political set of poems.
Akers, a poet of the California coast, writes of life on the brink of ecological collapse in her newest collection.
This short book of poetry is centered on a particular verb—“swerve,” a sudden change in direction that, Akers writes, smells “astringent, like the wind off the sea.” The poet mourns an unexpected loss—“When I was born I thought I’d be taken from the earth / I didn’t think the earth would be taken from me.” It’s a loss that’s been legislated by incompetent presidents, greedy senators, and other powerful people who refuse to prevent it, her poems assert. She approaches her grief like a naturalist, carefully naming again and again what her speakers long to conserve: “scud,” “bracken,” “clubmoss,” “cormorant.” And more: “I call the shapes of leaves: spatulate, cordate, pinnate, lanceolate.” Further, Akers knows intimately what threatens the beauty that her speakers hope to protect: “I know the names of the machines that cut down the forest: / feller buncher, shovel logger, tower yarder, stroke delimber, skidder.” Knowing and naming all parts of a moral universe is part of Akers’ obsessive, intelligent effort to trace the elemental origins of the world. Money is not money but “green rectangles made from trees,” longing “for the forest it came from.” Overall, these poems aren’t as brilliant as Akers’ earlier work, but although they’re world-weary, they’re not without hope; they also include records of the small, successful acts that resist environmental decline: “I remember the moment when a river that used to catch fire / turned from flammable to swimmable.” Akers dedicates the last parts of the book to organized resistance and the possibility of swerving back from disaster. Aside from the clumsy bluntness of the title, “#MeToo: Women in Touch with Their Anger” is an impressive and moving reinterpretation of the fairy tales of the Brothers Grimm, praising defiance rather than compliance. Resistance is personal for these women who protect themselves and the Earth from abusive people.
An intelligent and deeply political set of poems.Pub Date: Jan. 24, 2020
ISBN: 978-1-4218-3640-9
Page Count: 74
Publisher: Blue Light Press
Review Posted Online: April 3, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
