Fee fi fo fum / A merry old tale that’s No. 1! (Picture book. 4-7)
An oversized gourmand with a penchant for little children has a change of heart (and stomach).
Who could blame the Giant of Jum for eyeing his daily fare of broccoli with more than a modicum of distaste? Inspired by “Jack and the Beanstalk” (and conveniently forgetting the ending), the giant sets out to fill his tum with tots. Yet each time he encounters potential prey, they end up getting him to help them fetch their ball, save their cat from a tree, and so on. When he finally meets a boy named Jack, his proclamation that he intends to devour the lad is met with skepticism on the part of the other kids. They hand over a massive cake they’ve special ordered for him in thanks, and the giant comes away with the undeniable realization that “Chocolate’s much better than children!” The cadence of the lines dances on the pages, perfectly playing off the old “Fee Fi Fo Fum” rhymes with eloquence and aplomb. Fully embracing the spirit of the enterprise, Davies has a great deal of fun with the images, filling their corners with animals hiding not-so-cleverly from the perpetually hungry ogre. The giant himself never crosses over into the truly scary; he is depicted as a gargantuan white man with a house for a hat. The children are a multiracial crew.
Fee fi fo fum / A merry old tale that’s No. 1! (Picture book. 4-7)Pub Date: July 11, 2017
ISBN: 978-1-62779-515-9
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A quiet story of sharing with no strings attached.
A little girl in a town of white snow and soot-blackened chimneys opens a small box and discovers a never-ending gift of colorful yarn.
Annabelle knits herself a sweater, and with the leftover yarn, she knits one for her dog, and with the yarn left over from that, she knits one for a neighbor and for her classmates and for her teacher and for her family and for the birdhouse and for the buildings in town. All and everything are warm, cozy and colorful until a clotheshorse of an archduke arrives. Annabelle refuses his monetary offers, whereupon the box is stolen. The greedy archduke gets his just deserts when he opens the box to find it empty. It wends its way back to Annabelle, who ends up happily sitting in a knit-covered tree. Klassen, who worked on the film Coraline, uses inks, gouache and colorized scans of a sweater to create a stylized, linear design of dark geometric shapes against a white background. The stitches of the sweaters add a subdued rainbow. Barnett entertained middle-grade readers with his Brixton Brothers detective series. Here, he maintains a folkloric narrative that results in a traditional story arc complete with repetition, drama and a satisfying conclusion.
A quiet story of sharing with no strings attached. (Picture book. 4-7)Pub Date: Jan. 17, 2012
ISBN: 978-0-06-195338-5
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A culturally intricate slice of a lupine courier’s life.
Little Lobo and his dog, Bernabé, journey through a Mexican mercado delivering diverse goods to a variety of booths.
With the aid of red words splattered throughout the spreads as labels, Raúl the Third gives an introduction to Spanish vocabulary as Little Lobo, an anthropomorphic wolf, leaves his house, fills his cart with objects from his warehouse, and delivers them to the market’s vendors. The journey also serves as a crash course in Mexican culture, as the images are packed with intertextual details such as food, traditional games, and characters, including Cantinflas, Frida Khalo, and Juan Gabriel. Readers acquainted with Raúl the Third’s characters from his Lowriders series with author Cathy Camper will appreciate cameos from familiar characters. As he makes his rounds, Little Lobo also collects different artifacts that people offer in exchange for his deliveries of shoe polish, clothespins, wood, tissue paper, paintbrushes, and a pair of golden laces. Although Raúl the Third departs from the ball-pen illustrations that he is known for, his depiction of creatures and critters peppering the borderland where his stories are set remains in his trademark style. The softer hues in the illustrations (chosen by colorist Bay) keep the busy compositions friendly, and the halftone patterns filling the illustrations create foregrounds and backgrounds reminiscent of Roy Lichtenstein’s pointillism.
A culturally intricate slice of a lupine courier’s life. (glossary) (Picture book. 4-7)Pub Date: April 2, 2019
ISBN: 978-1-328-55726-1
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
