A visual feast that packs a punch.
Find out how El Toro and his friends became “¡un equipo maravilloso!”
The ragtag team of luchadores first meet as rambunctious kids—untrained and unfocused—heading to Ricky Ratón’s School of Lucha for one purpose: “to learn how to WRESTLE!” Under the tutelage of the muscular Ricky Ratón and his chicken sidekick, the real training for El Toro and his friends begins. The luchadores-in-training learn many, many skills, including acrobatics, discipline, and patience. Best of all, they each hone “their very own special move!” In a series of humorous panels that mimic a training montage, readers see the cast of anthropomorphized animals in action, with zany moves that seem to bounce off the page. Unitalicized words and phrases in Spanish pop up among the predominantly English text to echo certain lines and action words, providing translations that slip in with ease. After the stupendous training, a proud Ricky Ratón reveals one final surprise test: The young luchadores must beat their maestro in a battle. One by one, El Toro and his friends lose against their powerful teacher until the luchadores-in-training realize that teaming up brings its own rewards. Author/illustrator Raúl the Third and colorist Bay’s latest retains the series’ use of short, punchy sentences, kaleidoscopic artwork, and comic book–style panels and speech bubbles; this one is sure to be a can’t-miss read-aloud. (This book was reviewed digitally.)
A visual feast that packs a punch. (Early reader. 4-7)Pub Date: Sept. 20, 2022
ISBN: 978-0-358-39471-6
Page Count: 56
Publisher: Versify/HarperCollins
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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