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SEVEN TYPES OF AMBIGUITY

Long enough to tell everything that needs to be told, but never ponderous and never overdone. George Eliot down under.

Constant love in the face of terrible odds—such is the old-fashioned but deeply satisfying theme in a thoroughly modern Australian import.

Antipodean barrister and second-novelist Perlman (Three Dollars, 1999) collects award nominations at a Coetzeean rate, but those in search of an intelligent and intelligible read should not be put off by the prizes and the surrounding puffery. This is a love story in the 19th-century tradition, the kind that makes the real world seem a bit dim. Narrated sequentially by seven of the participants, the novel follows the disastrous consequences of an act of love. Intellectually and emotionally gifted schoolteacher Simon Heywood was stunned and disbelieving when Anna, the beautiful, brainy lover he met in college suddenly and without explanation dumped him. Ten years after the fact, he still hasn’t accepted the rejection. It didn’t compute for him then and it doesn’t compute for him now, despite Anna’s having married brash stockbroker Joe Geraghty and given birth to a son, Sam. There has been no contact between the former lovers, but Simon has followed Anna’s unhappy life in an unhealthily close and secret way, seeking always to understand what happened and how he can recover her love, coming to care so much for her son in the process that, when he decides that Anna’s failing marriage is not good for the boy, he kidnaps the child. In addition to Simon, the narrators of the calamity he sets off include Angela, a prostitute who loves Simon and services Joe; Alex, a psychiatrist who abandons impartiality in his concern and love for Simon; Joe and Anna Geraghty; and, finally, Alex’s daughter. The emotional disaster is played out in court, and the aftershocks cause crumblings years later.

Long enough to tell everything that needs to be told, but never ponderous and never overdone. George Eliot down under.

Pub Date: Dec. 16, 2004

ISBN: 1-57322-281-X

Page Count: 672

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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