by Elliott Roosevelt ‧ RELEASE DATE: July 14, 1992
Another of the author's posthumous novels featuring Eleanor Roosevelt, super-sleuth (Murder in the Blue Room, etc.). The murder this time is in the White House's Red Room. The corpse found there, stabbed to death, is identified as one Shondor Jack, a violence- prone pimp from Cleveland. Police Lieutenant Kennelly and Secret Service man Stan Szezygiel turn up a few suspects, most of them with Cleveland connections—Margaret Dempsey and Cristian Asman, both Harvard lawyers working in the White House; a trio of stripper-prostitutes; girl-about-town Joan Fisher; her Senator father and her onetime fiancÇ Representative Vernon Metcalf. A second murder and a closer look at some hidden relationships clear the way for an all-suspects showdown where Eleanor does her stuff. A serviceable but rather contrived plot takes second place to the intimate, behind-the-scenes details of F.D.R.'s second term and the evocation of the powerful and famous of the era. Sporadically entertaining.
Pub Date: July 14, 1992
ISBN: 0-312-07637-1
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
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by Kristin Hannah ‧ RELEASE DATE: April 23, 2013
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...
Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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by Clive Cussler ‧ RELEASE DATE: Jan. 2, 1996
Cussler's most adult, least comic-strip-y entry yet in the Dirk Pitt sea sagas. Gone is the outlandish plotting of Treasure (1988), when Dirk found Cleopatra's barge in Texas, and of Sahara (199), which unearthed Lincoln's body in a Confederate sub—buried in the desert sands. Now, in his 11th outing, Dirk Pitt and his National Underwater and Marine Agency (NUMA) fight villainous megalomaniac Arthur Dorsett, head of Dorsett Consolidated Mining, which holds the world's wealthiest diamond-mine empire. Pitt and his team must fight as well Dorsett's three daughters, the coldly beauteous Amazonian Boudicca, whose giant strength dwarfs Dirk's; the elegant but heartless Deirdre; and the star-crossed zoologist Maeve, whose bastard twins are held captive by grandfather Arthur so that Maeve will infiltrate NUMA and report on its investigation of his holdings—even though Dirk recently saved Maeve and Deirdre's lives in the Antarctic. First, however, Cussler takes us back to 1856 and a typhoon-battered British clipper ship, the Gladiator, that sinks in uncharted seas off Australia; only eight survive, including Jess Dorsett "the highwayman," a dandyish-looking convict, who discovers raw diamonds when stranded on an uninhabited island. From this arises the Dorsett empire, bent on undermining the world market in diamonds by dumping a colossal backlog of stones and colored gems into its vast chain of jewelry stores and, with one blow, toppling De Beers and all rivals. Worse, Arthur Dorsett excavates by high-energy-pulsed ultrasound, and when ultrasound from all four of his island mines (one on Gladiator Island, near New Zealand, another by Easter Island, the last two in the North Pacific Ocean) happen to converge, a killer shock wave destroys all marine and human life for 30 kilometers around, and now threatens over a million people in Hawaii—unless Dirk Pitt's aging body can hold it back. Tireless mechanical nomenclature, but furious storytelling.
Pub Date: Jan. 2, 1996
ISBN: 0-684-80297-X
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
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