Readers untroubled by brutal, compassion-free violence will find plenty to admire in Chapman’s gamer pacing, clever...
Violent teen dystopias are nothing new, but this debut, in which every character is or soon will be a killer, kicks it up a notch.
Ever since a vaccine gone wrong rendered the population sterile, humans have been bioengineered. In the well-fortified city-state of Kersh, the ruling Board creates a genetic double (Alt) for every newborn; they are raised in separate families. Sometime between the ages of 10 and 20, each Alt is “assigned” without notice to kill the other within 30 days; if neither succeeds, the Board terminates both. (The rationale—breeding a population of soldiers to repel invasion—makes little sense.) Successful killers (“completes”) move on guilt-free to better food, schools, marriages and careers. When their friend Chord gets his assignment, Luc’s efforts to keep his sister, West, from involving herself end disastrously. Remorseful, West takes up contract killing. Fighting back, overthrowing the Board or sabotaging the system never occur to her, even as a fantasy. A few characters condemn class privilege (rich Alts can afford better training and hired killers) but rebel, puzzlingly, by becoming hired killers themselves. No one finds the price of safety too high to accept.
Readers untroubled by brutal, compassion-free violence will find plenty to admire in Chapman’s gamer pacing, clever suspense—here, stalking is a two-way street—and fast-mounting body count. (Dystopian adventure. 12 & up)Pub Date: Feb. 26, 2013
ISBN: 978-0-307-93154-2
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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