A hard, cleareyed look at coming of age in a prejudiced world.

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RADICAL

Bex struggles to find acceptance for her nontraditional gender expression and her sexual orientation within her family and within the doomsday survivalist community she longs to join.

Since she’s been at odds with her family over her survivalist interests in addition to her masculine appearance, her father’s and brother’s decisions to join a new survivalist organization surprise Bex. Joining them on visits to the organization’s developing compound, Bex finds that her desire for fellowship overrides her concerns about some members’ misogyny, homophobia, and racism (which suggests that the majority of the novel’s cast is white). Even as her brother’s behavior becomes increasingly erratic and aggressive, Bex is unwilling to consider the community’s potential dark side. She’s also distracted when Lucy arrives for the summer and presents Bex with her first opportunity for a lesbian relationship (though it remains a secret from other characters). Readers of all sexual orientations will relate to Bex’s intoxicated blend of nerves and anticipation regarding Lucy. Many will also understand her instinctive motivation to maintain relationship harmony by minimizing her survivalist activities—though ultimately this becomes impossible. And then, quite suddenly, Bex can’t avoid facing the dark truths of her family and chosen community. Kokie takes her time developing characters and setting the plot in motion, creating a believable lesbian protagonist who wants to belong to a world that doesn’t particularly want her.

A hard, cleareyed look at coming of age in a prejudiced world. (Fiction. 14-18)

Pub Date: Sept. 13, 2016

ISBN: 978-0-7636-6962-1

Page Count: 448

Publisher: Candlewick

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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