by E.M. Kokie ‧ RELEASE DATE: Sept. 13, 2016
A hard, cleareyed look at coming of age in a prejudiced world.
Bex struggles to find acceptance for her nontraditional gender expression and her sexual orientation within her family and within the doomsday survivalist community she longs to join.
Since she’s been at odds with her family over her survivalist interests in addition to her masculine appearance, her father’s and brother’s decisions to join a new survivalist organization surprise Bex. Joining them on visits to the organization’s developing compound, Bex finds that her desire for fellowship overrides her concerns about some members’ misogyny, homophobia, and racism (which suggests that the majority of the novel’s cast is white). Even as her brother’s behavior becomes increasingly erratic and aggressive, Bex is unwilling to consider the community’s potential dark side. She’s also distracted when Lucy arrives for the summer and presents Bex with her first opportunity for a lesbian relationship (though it remains a secret from other characters). Readers of all sexual orientations will relate to Bex’s intoxicated blend of nerves and anticipation regarding Lucy. Many will also understand her instinctive motivation to maintain relationship harmony by minimizing her survivalist activities—though ultimately this becomes impossible. And then, quite suddenly, Bex can’t avoid facing the dark truths of her family and chosen community. Kokie takes her time developing characters and setting the plot in motion, creating a believable lesbian protagonist who wants to belong to a world that doesn’t particularly want her.
A hard, cleareyed look at coming of age in a prejudiced world. (Fiction. 14-18)Pub Date: Sept. 13, 2016
ISBN: 978-0-7636-6962-1
Page Count: 448
Publisher: Candlewick
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Share your opinion of this book
More by E.M. Kokie
BOOK REVIEW
by E.M. Kokie
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
Share your opinion of this book
More by Daniel Aleman
BOOK REVIEW
More About This Book
PERSPECTIVES
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
Awards & Accolades
Likes
47
Our Verdict
GET IT
New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Share your opinion of this book
More by Kathleen Glasgow
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.